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Apple and Netflix negotiate with James Bond distributor for acquisition, according to CNBC
Marvel?s Guardians of the Galaxy unveils its eighties soundtrack
How scary is Netflix?s series from Haunting of Hill House?s Mike Flanagan?
Paul Schrader and his haunting adoration for Taylor Swift
Shakespeare is the most current of the classics ? Diario El Ciudadano y la Región
Justin Chon Drama Movie ? decodethenewspodcast.com
James Bond to the Rescue of Swiss Watches: Last Mission
Tyson Fury finishes Deontay Wilder with brutal knockout in 11 rounds
?Free Guy: Taking Control?: What will happen when the NPCs have a conscience? ? Movie news
Contemporary art seeks its place on hostile terrain

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                    [title] => Apple and Netflix negotiate with James Bond distributor for acquisition, according to CNBC
                    [link] => https://genesisblocknews.com/apple-and-netflix-negotiate-with-james-bond-distributor-for-acquisition-according-to-cnbc/
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                            [creator] => Susan Paul
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                    [pubdate] => Sun, 10 Oct 2021 09:38:29 +0000
                    [category] => UncategorizedacquisitionAppleBondCNBCdistributorJamesnegotiateNetflix
                    [guid] => https://genesisblocknews.com/apple-and-netflix-negotiate-with-james-bond-distributor-for-acquisition-according-to-cnbc/
                    [description] => 2019 was a year marked by large acquisitions in the American audiovisual sector. Although it is almost impossible for them to be repeated this year, there is a possibility that the small fish will end up in the gullet of the large ones. The Metro-Goldwyn-Mayer studies, known simply as MGM, is one of them. AND ... Read more
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2019 was a year marked by large acquisitions in the American audiovisual sector. Although it is almost impossible for them to be repeated this year, there is a possibility that the small fish will end up in the gullet of the large ones. The Metro-Goldwyn-Mayer studies, known simply as MGM, is one of them. AND Apple has studied its acquisition, as indicated on CNBC (via AppleInsider).

¿James Bond and manos de Apple (o Netflix)?

MGM has had preliminary discussions with several companies, including Apple and Netflix, to gauge its interest in an acquisition, according to two people. MGM owns the James Bond catalog and his studio has made several popular series like The Handmaid’s Tale, which airs on Hulu, and Live PD, a police reality show that has often been the most watched show on television. by cable and it is emitted in A&E. It also owns premium cable television Epix.

Interestingly, Apple had discussions with Epix eight years ago when it was a company of streaming Independent. CNBC indicates that MGM is owned by three funds: Anchorage Capital, Highland Capital and Solus Alternative Asset Management. These investors rescued the studio from ruin in 2010 and have been sitting on it ever since.

MGM had revenue of $ 1 billion in the first nine months of last year. Of these, 600 million come from television and film licenses, with another 300 million coming from subscriptions by Epix. Its annual revenue could be around $ 1.3-1.4 billion.

The talks between MGM and Apple or Netflix seem to be in their infancy. Although when these types of press leaks do occur, it is easy to imagine that they have a goal. Here it seems clear that MGM’s proprietary funds They seek to put the study up for sale now and they hope to have the greatest number of suitors. Which would help raise the sale price.

The second wave of mergers and acquisitions in streaming

Apple TV

After the wave of major mergers and acquisitions last year, where Amazon, Apple, AT&T, Comcast, Disney and Netflix emerged, now it is the turn of the companies that have been in no-man’s-land. From CNBC they indicate what are they according to your company value:

In comparison, the big players have an assessment that measured in hundreds of billions of dollars. In Apple’s case, more than a trillion dollars, although we are accounting for the entire business in all of these cases. This comparison comes in handy to keep in mind that the bigwigs of the streaming they have, in many cases, full pockets to undertake projects.

The dubious figure of 33.6 million Apple TV + subscribers that some analysts take for good

Hence the smaller fish are seen as an appetizing dish. Especially MGM, which has in its catalog the Rocky saga or the Fargo series, among other successes. Not a Fox Entertainment or a Time WarnerBut it has its appeal. Of course, if Apple decided to acquire MGM it would be a substantial change in its strategy. Until now, the company has preferred to do without what is termed as back catalog, an “old” content catalog, and focus on developing your own shows, series, movies and documentaries.

Many Thanks To The Following Website For This Valuable Content.
Apple and Netflix negotiate with James Bond distributor for acquisition, according to CNBC

) [summary] => 2019 was a year marked by large acquisitions in the American audiovisual sector. Although it is almost impossible for them to be repeated this year, there is a possibility that the small fish will end up in the gullet of the large ones. The Metro-Goldwyn-Mayer studies, known simply as MGM, is one of them. AND ... Read more [atom_content] =>

2019 was a year marked by large acquisitions in the American audiovisual sector. Although it is almost impossible for them to be repeated this year, there is a possibility that the small fish will end up in the gullet of the large ones. The Metro-Goldwyn-Mayer studies, known simply as MGM, is one of them. AND Apple has studied its acquisition, as indicated on CNBC (via AppleInsider).

¿James Bond and manos de Apple (o Netflix)?

MGM has had preliminary discussions with several companies, including Apple and Netflix, to gauge its interest in an acquisition, according to two people. MGM owns the James Bond catalog and his studio has made several popular series like The Handmaid’s Tale, which airs on Hulu, and Live PD, a police reality show that has often been the most watched show on television. by cable and it is emitted in A&E. It also owns premium cable television Epix.

Interestingly, Apple had discussions with Epix eight years ago when it was a company of streaming Independent. CNBC indicates that MGM is owned by three funds: Anchorage Capital, Highland Capital and Solus Alternative Asset Management. These investors rescued the studio from ruin in 2010 and have been sitting on it ever since.

MGM had revenue of $ 1 billion in the first nine months of last year. Of these, 600 million come from television and film licenses, with another 300 million coming from subscriptions by Epix. Its annual revenue could be around $ 1.3-1.4 billion.

The talks between MGM and Apple or Netflix seem to be in their infancy. Although when these types of press leaks do occur, it is easy to imagine that they have a goal. Here it seems clear that MGM’s proprietary funds They seek to put the study up for sale now and they hope to have the greatest number of suitors. Which would help raise the sale price.

The second wave of mergers and acquisitions in streaming

Apple TV

After the wave of major mergers and acquisitions last year, where Amazon, Apple, AT&T, Comcast, Disney and Netflix emerged, now it is the turn of the companies that have been in no-man’s-land. From CNBC they indicate what are they according to your company value:

In comparison, the big players have an assessment that measured in hundreds of billions of dollars. In Apple’s case, more than a trillion dollars, although we are accounting for the entire business in all of these cases. This comparison comes in handy to keep in mind that the bigwigs of the streaming they have, in many cases, full pockets to undertake projects.

The dubious figure of 33.6 million Apple TV + subscribers that some analysts take for good

Hence the smaller fish are seen as an appetizing dish. Especially MGM, which has in its catalog the Rocky saga or the Fargo series, among other successes. Not a Fox Entertainment or a Time WarnerBut it has its appeal. Of course, if Apple decided to acquire MGM it would be a substantial change in its strategy. Until now, the company has preferred to do without what is termed as back catalog, an “old” content catalog, and focus on developing your own shows, series, movies and documentaries.

Many Thanks To The Following Website For This Valuable Content.
Apple and Netflix negotiate with James Bond distributor for acquisition, according to CNBC

[date_timestamp] => 1633858709 ) [1] => Array ( [title] => Marvel?s Guardians of the Galaxy unveils its eighties soundtrack [link] => https://genesisblocknews.com/marvels-guardians-of-the-galaxy-unveils-its-eighties-soundtrack/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:35:31 +0000 [category] => UncategorizedeightiesGalaxyGuardiansMarvelsSoundtrackunveils [guid] => https://genesisblocknews.com/marvels-guardians-of-the-galaxy-unveils-its-eighties-soundtrack/ [description] => One of the star releases of this month and the remainder of 2021 is without a doubt Marvel’s Guardians of the Galaxy, the adventure starring Starlord and the rest of charismatic characters like Gamora or Groot. In the game of Eidos Montreal -with changes in its work policy- we will control only the character played ... Read more [content] => Array ( [encoded] =>

One of the star releases of this month and the remainder of 2021 is without a doubt Marvel’s Guardians of the Galaxy, the adventure starring Starlord and the rest of charismatic characters like Gamora or Groot. In the game of Eidos Montreal -with changes in its work policy- we will control only the character played by Chris Pratt on the big screen, although we will be able to display joint powers, and as usual, Starlord will be accompanied by a good string of songs to listen to during the course of the play.

The 80s, protagonists of music

Thus, the Canadian study has revealed the list of songs that will make up the soundtrack of Marvel’s Guardians of the Galaxy, with eminently eighties themes among which we can find artists and groups of the stature of Blondie, Kiss, Europe or New Kids on the Block , with the anthem of that decade, Take on Me, by A-Ha, also present. How could it be otherwise, there is Never Gona Give you Up, by Rick Astley.

That said, we go on to detail the full tracklist of the game:

Marvel’s Guardians of the Galaxy will be released this coming October 25 on PS4, Xbox One, PS5, Xbox Series, PC and Stadia. Also on Nintendo Switch, with a cloud version.

Many Thanks To The Following Website For This Valuable Content.
Marvel’s Guardians of the Galaxy unveils its eighties soundtrack

) [summary] => One of the star releases of this month and the remainder of 2021 is without a doubt Marvel’s Guardians of the Galaxy, the adventure starring Starlord and the rest of charismatic characters like Gamora or Groot. In the game of Eidos Montreal -with changes in its work policy- we will control only the character played ... Read more [atom_content] =>

One of the star releases of this month and the remainder of 2021 is without a doubt Marvel’s Guardians of the Galaxy, the adventure starring Starlord and the rest of charismatic characters like Gamora or Groot. In the game of Eidos Montreal -with changes in its work policy- we will control only the character played by Chris Pratt on the big screen, although we will be able to display joint powers, and as usual, Starlord will be accompanied by a good string of songs to listen to during the course of the play.

The 80s, protagonists of music

Thus, the Canadian study has revealed the list of songs that will make up the soundtrack of Marvel’s Guardians of the Galaxy, with eminently eighties themes among which we can find artists and groups of the stature of Blondie, Kiss, Europe or New Kids on the Block , with the anthem of that decade, Take on Me, by A-Ha, also present. How could it be otherwise, there is Never Gona Give you Up, by Rick Astley.

That said, we go on to detail the full tracklist of the game:

Marvel’s Guardians of the Galaxy will be released this coming October 25 on PS4, Xbox One, PS5, Xbox Series, PC and Stadia. Also on Nintendo Switch, with a cloud version.

Many Thanks To The Following Website For This Valuable Content.
Marvel’s Guardians of the Galaxy unveils its eighties soundtrack

[date_timestamp] => 1633858531 ) [2] => Array ( [title] => How scary is Netflix?s series from Haunting of Hill House?s Mike Flanagan? [link] => https://genesisblocknews.com/how-scary-is-netflixs-series-from-haunting-of-hill-houses-mike-flanagan/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:25:21 +0000 [category] => Movie NewsFlanaganHauntingHillHOUSEsMikeNetflixsscaryseries [guid] => https://genesisblocknews.com/how-scary-is-netflixs-series-from-haunting-of-hill-houses-mike-flanagan/ [description] => For die-hards, no horror movie can be too scary. But for you, a wimp, the wrong one can leave you miserable. Never fear, scaredies, because Slate?s Scaredy Scale is here to help. We?ve put together a highly scientific and mostly spoiler-free system for rating new horror movies, comparing them with classics along a 10-point scale. And because not everyone ... Read more [content] => Array ( [encoded] =>

For die-hards, no horror movie can be too scary. But for you, a wimp, the wrong one can leave you miserable. Never fear, scaredies, because Slate?s Scaredy Scale is here to help. We?ve put together a highly scientific and mostly spoiler-free system for rating new horror movies, comparing them with classics along a 10-point scale. And because not everyone is frightened by the same things?some viewers can?t stand jump scares, while others are haunted by more psychological terrors or simply can?t stomach arterial spurts?it breaks down each movie?s scares across three criteria: suspense, spookiness, and gore.

This time, the Scaredy Scale takes on Midnight Mass, the latest Netflix series from Mike Flanagan, the creator of The Haunting of Hill House and The Haunting of Bly Manor. Set in the remote fishing village of Crockett Island, located 30 miles off the U.S. coast, the series is built around the encounters between Zach Gilford?s recovering alcoholic, who has returned home after years in prison, and a charismatic Catholic priest played by Hamish Linklater, whose arrival on the island is followed by a string of strange occurrences that may be miracles?or the work of a significantly less divine presence. Will it stick in your bones or fade like a teenager?s catechism? Read on.

Photo illustration by Slate

Netflix shows are rarely in a rush, but Midnight Mass takes full advantage of its seven-hour span to unveil its story slowly: It?s not until the end of the third hour that you know precisely what kind of trouble the people of Crockett Island are in. That leisurely approach gives the show time enough to establish its characters so that you actually care when bad things start happening to them, which heightens the suspense even further.

A chart titled ?Gore: the Ick Factor? shows that Midnight Mass ranks a 7 in gore, roughly the same as Jaws. Bly Manor ranked a 1, roughly the same as Paranormal Activity. The scale ranges from Singin? in the Rain (0) to the Saw franchise (10).
Photo illustration by Slate

Without giving too much away, suffice it to say that when the blood in Midnight Mass starts flowing, it does so in earnest. Throats are slashed, heads cracked open, and so on. Also, you know the horror movie rules about how nothing bad should happen to children or pets? Midnight Mass does not play by them.

A chart titled ?Spookiness: How much will it haunt you after the movie is over?? shows that Midnight Mass ranks an 8 in spookiness, roughtly the same as The Babadook. Bly Manor ranked a 9, roughly the same as The Shining. The scale ranges from The Best Exotic Marigold Hotel (0) to The Exorcist (10).
Photo illustration by Slate

Sustaining a mood is what Midnight Mass does best, often forgoing look out behind you suspense in favor of steadily rising uncanniness. It?s a movie about belief, and the perversion of it, so that when Hamish Linklater starts giving off-kilter sermons, you know something is wrong, and the inability to immediately pinpoint it just makes it more unsettling. (Add at least one full point to this score if you were raised Catholic.) The resonance with the current tide of religious extremism in the U.S. isn?t underlined, but it doesn?t need to be to make the rising tide of fanaticism in this isolated, homogenous community feel especially eerie.

Overall: This is even more subjective, depending on what kinds of scares get you the most? shows that Midnight Mass ranks as a 7 overall, roughly the same as Alien. Bly Manor ranked a 6, roughly the same as Jaws. The scale ranges from Paddington (0) to the original Texas Chain Saw Massacre (10).
Photo illustration by Slate

Midnight Mass does eventually bring the horror goods?not for nothing is the last chapter named ?Revelation,? for the book of the Bible that describes the apocalypse. But the true horrors of Crockett Island aren?t supernatural, even if the forces that reveal them are. It?s all too easy to picture a hemmed-in rural community that has seen better days falling under the sway of ideas that might eventually destroy them, and that?s harder to shake than anything that goes bump in the night.

Many Thanks To The Following Website For This Valuable Content.
How scary is Netflix?s series from Haunting of Hill House?s Mike Flanagan?

) [summary] => For die-hards, no horror movie can be too scary. But for you, a wimp, the wrong one can leave you miserable. Never fear, scaredies, because Slate?s Scaredy Scale is here to help. We?ve put together a highly scientific and mostly spoiler-free system for rating new horror movies, comparing them with classics along a 10-point scale. And because not everyone ... Read more [atom_content] =>

For die-hards, no horror movie can be too scary. But for you, a wimp, the wrong one can leave you miserable. Never fear, scaredies, because Slate?s Scaredy Scale is here to help. We?ve put together a highly scientific and mostly spoiler-free system for rating new horror movies, comparing them with classics along a 10-point scale. And because not everyone is frightened by the same things?some viewers can?t stand jump scares, while others are haunted by more psychological terrors or simply can?t stomach arterial spurts?it breaks down each movie?s scares across three criteria: suspense, spookiness, and gore.

This time, the Scaredy Scale takes on Midnight Mass, the latest Netflix series from Mike Flanagan, the creator of The Haunting of Hill House and The Haunting of Bly Manor. Set in the remote fishing village of Crockett Island, located 30 miles off the U.S. coast, the series is built around the encounters between Zach Gilford?s recovering alcoholic, who has returned home after years in prison, and a charismatic Catholic priest played by Hamish Linklater, whose arrival on the island is followed by a string of strange occurrences that may be miracles?or the work of a significantly less divine presence. Will it stick in your bones or fade like a teenager?s catechism? Read on.

Photo illustration by Slate

Netflix shows are rarely in a rush, but Midnight Mass takes full advantage of its seven-hour span to unveil its story slowly: It?s not until the end of the third hour that you know precisely what kind of trouble the people of Crockett Island are in. That leisurely approach gives the show time enough to establish its characters so that you actually care when bad things start happening to them, which heightens the suspense even further.

A chart titled ?Gore: the Ick Factor? shows that Midnight Mass ranks a 7 in gore, roughly the same as Jaws. Bly Manor ranked a 1, roughly the same as Paranormal Activity. The scale ranges from Singin? in the Rain (0) to the Saw franchise (10).
Photo illustration by Slate

Without giving too much away, suffice it to say that when the blood in Midnight Mass starts flowing, it does so in earnest. Throats are slashed, heads cracked open, and so on. Also, you know the horror movie rules about how nothing bad should happen to children or pets? Midnight Mass does not play by them.

A chart titled ?Spookiness: How much will it haunt you after the movie is over?? shows that Midnight Mass ranks an 8 in spookiness, roughtly the same as The Babadook. Bly Manor ranked a 9, roughly the same as The Shining. The scale ranges from The Best Exotic Marigold Hotel (0) to The Exorcist (10).
Photo illustration by Slate

Sustaining a mood is what Midnight Mass does best, often forgoing look out behind you suspense in favor of steadily rising uncanniness. It?s a movie about belief, and the perversion of it, so that when Hamish Linklater starts giving off-kilter sermons, you know something is wrong, and the inability to immediately pinpoint it just makes it more unsettling. (Add at least one full point to this score if you were raised Catholic.) The resonance with the current tide of religious extremism in the U.S. isn?t underlined, but it doesn?t need to be to make the rising tide of fanaticism in this isolated, homogenous community feel especially eerie.

Overall: This is even more subjective, depending on what kinds of scares get you the most? shows that Midnight Mass ranks as a 7 overall, roughly the same as Alien. Bly Manor ranked a 6, roughly the same as Jaws. The scale ranges from Paddington (0) to the original Texas Chain Saw Massacre (10).
Photo illustration by Slate

Midnight Mass does eventually bring the horror goods?not for nothing is the last chapter named ?Revelation,? for the book of the Bible that describes the apocalypse. But the true horrors of Crockett Island aren?t supernatural, even if the forces that reveal them are. It?s all too easy to picture a hemmed-in rural community that has seen better days falling under the sway of ideas that might eventually destroy them, and that?s harder to shake than anything that goes bump in the night.

Many Thanks To The Following Website For This Valuable Content.
How scary is Netflix?s series from Haunting of Hill House?s Mike Flanagan?

[date_timestamp] => 1633857921 ) [3] => Array ( [title] => Paul Schrader and his haunting adoration for Taylor Swift [link] => https://genesisblocknews.com/paul-schrader-and-his-haunting-adoration-for-taylor-swift/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:24:05 +0000 [category] => UncategorizedadorationHauntingPaulpaul schared taylor swift facebookpaul schraderpaul schrader fan taylor swiftpaul schrader first reformedpaul schrader taxi driverSchraderSwiftTaylortaylor swift livetaylor swift paul schradertaylor swift reputationtaylor swift tourTaylor Switf [guid] => https://genesisblocknews.com/paul-schrader-and-his-haunting-adoration-for-taylor-swift/ [description] => The world is full of unexpected loves and, many times, one of these hidden passions transforms the image of a character we thought we knew. That has happened to us with Paul Schrader, one of those indomitable filmmakers who has never allowed himself to be controlled by Hollywood. We could define him as a creator ... Read more [content] => Array ( [encoded] =>

The world is full of unexpected loves and, many times, one of these hidden passions transforms the image of a character we thought we knew. That has happened to us with Paul Schrader, one of those indomitable filmmakers who has never allowed himself to be controlled by Hollywood. We could define him as a creator of ideas and approaches that are always arid, dark-minded and with a certain predilection for characters corrupted by a society that seems to believe it infects … Yes, he is all that and, also, an unconditional fan of Taylor Swift.

Yes folks, just over a month ago, the same man who created Travis Bickle, drawing inspiration from his own late-night experiences after a traumatic divorce, told Polygon that he was dying to see Taylor Swift live. Because she was “the essence of life force.” We do not know if, as in Taxi Driver (1976), Schrader will sing Shake it off again and again in front of the mirror but with phrases like “everything would be destroyed if she left us.” We would not be surprised at anything.

Columbia Pictures

We can think that the obsession of the author of the script of wild bull (1980) and director of Affliction (1997) the American Gigoló (1980) is based on his strange and recurrent angelic vision of a young girl in distress in the eyes of an older man, as it happened in Taxi Driver with the girl-prostitute played by Jodie Foster. Or maybe it reminds you of the Nastassja Kinski from your movie The kiss of the panther (1982). We can also drop the theories and surrender like Mr. Schrader to the Pennsylvania show.

Nastassja Kinski the kiss of the panther paul schrader

Sunset BoulevardGetty Images

The point of all this is that, in the end, we are very happy because, at the age of 72, the filmmaker has fulfilled his dream. And we do not say it because his last film, First Reformed, is getting rave reviews before its premiere, but because you were able to celebrate your birthday by watching Taylor Swift live on her ?REPUTATION? tour. Not only that: he has also put a post on his Facebook consisting of a selfie of him at the concert and a text that makes it clear what he liked the show:

This content is imported from Facebook. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

For my 72nd birthday I have gifted myself and Andrew Wonder tickets to the Taylor Swift Tour at MetLife Stadium. I loved it. A show business machine operating at its maximum efficiency. Another thing off my wish list (Pd: the purple lights are from the bracelets that are given to the public and were in sync with the music).

Ultimately, stay with someone who loves you like Paul Schrader to Taylor Swift.

This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io

.

Many Thanks To The Following Website For This Valuable Content.
Paul Schrader and his haunting adoration for Taylor Swift

) [summary] => The world is full of unexpected loves and, many times, one of these hidden passions transforms the image of a character we thought we knew. That has happened to us with Paul Schrader, one of those indomitable filmmakers who has never allowed himself to be controlled by Hollywood. We could define him as a creator ... Read more [atom_content] =>

The world is full of unexpected loves and, many times, one of these hidden passions transforms the image of a character we thought we knew. That has happened to us with Paul Schrader, one of those indomitable filmmakers who has never allowed himself to be controlled by Hollywood. We could define him as a creator of ideas and approaches that are always arid, dark-minded and with a certain predilection for characters corrupted by a society that seems to believe it infects … Yes, he is all that and, also, an unconditional fan of Taylor Swift.

Yes folks, just over a month ago, the same man who created Travis Bickle, drawing inspiration from his own late-night experiences after a traumatic divorce, told Polygon that he was dying to see Taylor Swift live. Because she was “the essence of life force.” We do not know if, as in Taxi Driver (1976), Schrader will sing Shake it off again and again in front of the mirror but with phrases like “everything would be destroyed if she left us.” We would not be surprised at anything.

Columbia Pictures

We can think that the obsession of the author of the script of wild bull (1980) and director of Affliction (1997) the American Gigoló (1980) is based on his strange and recurrent angelic vision of a young girl in distress in the eyes of an older man, as it happened in Taxi Driver with the girl-prostitute played by Jodie Foster. Or maybe it reminds you of the Nastassja Kinski from your movie The kiss of the panther (1982). We can also drop the theories and surrender like Mr. Schrader to the Pennsylvania show.

Nastassja Kinski the kiss of the panther paul schrader

Sunset BoulevardGetty Images

The point of all this is that, in the end, we are very happy because, at the age of 72, the filmmaker has fulfilled his dream. And we do not say it because his last film, First Reformed, is getting rave reviews before its premiere, but because you were able to celebrate your birthday by watching Taylor Swift live on her ?REPUTATION? tour. Not only that: he has also put a post on his Facebook consisting of a selfie of him at the concert and a text that makes it clear what he liked the show:

This content is imported from Facebook. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

For my 72nd birthday I have gifted myself and Andrew Wonder tickets to the Taylor Swift Tour at MetLife Stadium. I loved it. A show business machine operating at its maximum efficiency. Another thing off my wish list (Pd: the purple lights are from the bracelets that are given to the public and were in sync with the music).

Ultimately, stay with someone who loves you like Paul Schrader to Taylor Swift.

This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io

.

Many Thanks To The Following Website For This Valuable Content.
Paul Schrader and his haunting adoration for Taylor Swift

[date_timestamp] => 1633857845 ) [4] => Array ( [title] => Shakespeare is the most current of the classics ? Diario El Ciudadano y la Región [link] => https://genesisblocknews.com/shakespeare-is-the-most-current-of-the-classics-diario-el-ciudadano-y-la-region/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:22:34 +0000 [category] => UncategorizedCiudadanoClassicsCurrentDiarioRegionShakespeare [guid] => https://genesisblocknews.com/shakespeare-is-the-most-current-of-the-classics-diario-el-ciudadano-y-la-region/ [description] => One of the characteristics of classical authors is their permanent updating, the ease with which each era reads their themes, the imperishable vigor of the plots: all these variables come together in William Shakespeare, the English playwright who died 405 years ago and remains valid with a young, revitalized work, as evidenced by the edition ... Read more [content] => Array ( [encoded] =>

One of the characteristics of classical authors is their permanent updating, the ease with which each era reads their themes, the imperishable vigor of the plots: all these variables come together in William Shakespeare, the English playwright who died 405 years ago and remains valid with a young, revitalized work, as evidenced by the edition of a new translation of Romeo and Juliet, the novel Hamnet which, based on an episode in her life, wrote Maggie O’Farrell, and the film adaptation of Macbeth’s tragedy, of imminent premiere, by one of the Coen brothers.

In this way, Shakespeare continues to be a central figure in today’s literary world, an author who is repositioned every year with translations of Argentine writers, with novels that arrive in the country with the playwright as the protagonist and with films that are released worldwide, updating and resignifying his most classic works.

His themes, such as cross love, jealousy, power, madness can have been treated by any author throughout the history of literature. They form the nucleus of that bundle of topics that cross the center of literature of all times and geographies. An Argentine soap opera from the 80s or a Turkish one from 2020 may have dealt with love or jealousy but they are forgotten the next day. However, the framework and what Harold Bloom calls “the invention of the human” make the works of the author of Macbeth in irreplaceable.

In line with that validity, these days, a series of novelties related to the Shakespearean narrative circulate in Argentina, such as the novel Hamnet, a fragmentary biography in the key of fiction written by the Irish Maggie O’Farrell that comes to the country by the hand of Asteroid Books, while a translation of Romeo and Juliet, made by the writer Carlos Gamerro and edited by the Interzona label.

In conversation with the news agency Telam, the author of The islands and the recent The cage of the onas states that in Romeo and Juliet “Shakespeare invents the paradigm of romantic love, which replaces the previous one of courtly love, and it is still valid, too valid, thanks to Hollywood, soap operas and eternally repeated love songs, today.”

Gamero assures that when working on Shakespeare’s play, it is possible to see how the English playwright also “invents the inner monologue, which teaches us to listen to the language of thought: Joyce, Virginia Woolf, Faulkner and of course Freud learn from it”, the author of Harold Bloom and the literary canon.

At the Interzona publishing house, the writer Edgardo Scott also translated an anthology of 45 Sonnets of Shakespeare. ?Vigencia and Shakespeare seem synonymous. Which or who would be a better example? Just today, in a workshop, talking about the scriptures that become too identical to themselves, and before the reasonable objection of who could avoid that, it came to me naturally: Shakespeare ?, says the writer.

?Shakespeare is so great, so diverse, so imperfect and for that very reason great that he even manages to surpass what for any artist would be an achievement: to have his stamp. From the naïve harmony of comedy As you like to the invention of the representation of power and politics as we know them and suffer in Macbeth O Richard III, from the hermetic wonder of his sonnets to the creation of characters like Falstaff, Iago, Ofelia or Hamlet ?, Scott points out.

For Gamerro, ?Shakespeare invents a model of political literature where ideas are put to the test on stage and leaves the conclusions to the reader or the viewer: the most political line of his work, which goes from Richard III a Antony and Cleopatra?.

The writer and critic points out that the playwright carries out a permanent reflection and testing of Machiavelli’s ideas, in an arc that goes from moral rejection to acceptance “under protest” of the logic of realpolitik. And as we are still, in political theory and practice, still discussing Machiavelli, Shakespeare’s work is one of the best ways to enter the political logic of the world today, as evidenced, among so many other examples, by the ‘borrowings’ »Shakespeareans from House of Cards“, He assures.

?Perhaps the idea of ??the subject and the idea of ??the character meet in Shakespeare in an exact way that is still indecipherable for culture. That’s why we keep reading it, acting, filming, quoting. The validity of his work is truly contemporary. Its mystery remains intact ?, analyzes Scott.

In his novel HamnetMaggie O’Farrell takes the life of the writer as its axis, but leaving him in the shadows to focus on her son Hamnet, who died in 1596 in Stratford for reasons that were not included in the official documents of the time. Four years later, his father wrote one of his most celebrated works and titled it with his name making him immortal: Hamlet.

The Irish author adopts the most popular version of the boy’s death: a disease caused by the Black Death, which gives her novel a casual touch of topicality during the pandemic. However, the protagonist and heroine of Hamnet Agnes is the woman eight years older than Shakespeare, with whom he, at eighteen, would have been forced to marry after making her pregnant.

The cinema has been another bastion that has long drawn on the work of the author of Othello. To the countless film adaptations that were made about his work and his figure, this year two new films are added. One is All is true, a film directed by and starring Kenneth Branagh that revolves around the last years of Shakespeare’s life and is available on Amazon Prime Video.

The other cinematographic novelty is based on one of his works. Is about Macbeth’s tragedy which will be Joel Coen’s first film without the participation of his brother Ethan, with whom he filmed titles such as Fargo O The big lebowski. It stars Denzel Washington with Frances McDormand, who also produced the film, and it will be released worldwide in theaters on December 25 of this year and from January it will be available on the Apple TV + platform.

One of the moments of the imminent “The tragedy of Macbeth”.

Both Branagh’s film and O’Farrell’s novel echo Shakespeare’s dark feeling about the loss of his 11-year-old son Hamnet. The film proposes a play on words from the beginning: ?All is true?, ?Everything is true?. It was an alternative title that was circulating at the time of the premiere of Henry VIII, at which point, with a cannon shot, The Globe theater in London was set on fire, where all the works written by the author were staged. The film begins with the fire in which the theater is lost and then recounts the return of the playwright with his wife in Stratford, a space where he has just begun to mourn the death of his son.

In Argentina, important projects were also developed with the Shakespearean play: the collection Shakespeare by writers of Norma publishing house, directed by Marcelo Cohen, who translated the complete work, with the participation of authors from different Spanish-speaking countries, or the project of Editorial Losada, for which Pablo Ingberg made the effort to complete the canon, based on what has been done by authors and translators of the stature of Pablo Neruda, Manuel Mujica Lainez, Cristina Piña and Idea Vilariño, among others.

For Gamerro, Shakespeare is always at the forefront: “If he had lived in the 20th century, his work would have put Marx’s ideas to the test,” he says. In this way, the critic maintains that the English author recovers all the previous theater and invents all the later theater: ?He recreates the Greek tragedy, which he hardly knew, and the Latin comedy; it is renaissance, baroque, romantic, absurd and existential; his works are so flexible that they tolerate neoclassical and more experimental avant-garde settings and his action can be transferred without loss to Feudal Japan, Latin America or equatorial Africa ?, he indicates.

But also, according to Gamerro, “Shakespeare invents the cinema, since Shakespeare’s cinematographic qualities, so often pointed out, are actually Shakespearean qualities that the language of cinema took from him.”

One of the issues of translations and updates is what is lost in the change from one language to another, not only of language but in time. For the author of Facundo O Martin Fierro, in practice, the linguistic distance is not that much: ?Even some contemporary works combine fragments of Shakespeare with others spoken in modern English, such as Rosencrantz and Guildenstern are dead by Tom Stoppard, the film My private world by Gus van Sant, where the Seattle taxi boys speak the dialogues of Enrique IV, and the jumps are barely noticeable ?, he highlights.

The conclusion for Gamerro is clear: ?Shakespeare’s plays work even if we don’t follow them word for word, they work for any audience of any age, and in any language: they survive the worst translations. In the good times, of course, they are overwhelming ?.

Many Thanks To The Following Website For This Valuable Content.
Shakespeare is the most current of the classics – Diario El Ciudadano y la Región

) [summary] => One of the characteristics of classical authors is their permanent updating, the ease with which each era reads their themes, the imperishable vigor of the plots: all these variables come together in William Shakespeare, the English playwright who died 405 years ago and remains valid with a young, revitalized work, as evidenced by the edition ... Read more [atom_content] =>

One of the characteristics of classical authors is their permanent updating, the ease with which each era reads their themes, the imperishable vigor of the plots: all these variables come together in William Shakespeare, the English playwright who died 405 years ago and remains valid with a young, revitalized work, as evidenced by the edition of a new translation of Romeo and Juliet, the novel Hamnet which, based on an episode in her life, wrote Maggie O’Farrell, and the film adaptation of Macbeth’s tragedy, of imminent premiere, by one of the Coen brothers.

In this way, Shakespeare continues to be a central figure in today’s literary world, an author who is repositioned every year with translations of Argentine writers, with novels that arrive in the country with the playwright as the protagonist and with films that are released worldwide, updating and resignifying his most classic works.

His themes, such as cross love, jealousy, power, madness can have been treated by any author throughout the history of literature. They form the nucleus of that bundle of topics that cross the center of literature of all times and geographies. An Argentine soap opera from the 80s or a Turkish one from 2020 may have dealt with love or jealousy but they are forgotten the next day. However, the framework and what Harold Bloom calls “the invention of the human” make the works of the author of Macbeth in irreplaceable.

In line with that validity, these days, a series of novelties related to the Shakespearean narrative circulate in Argentina, such as the novel Hamnet, a fragmentary biography in the key of fiction written by the Irish Maggie O’Farrell that comes to the country by the hand of Asteroid Books, while a translation of Romeo and Juliet, made by the writer Carlos Gamerro and edited by the Interzona label.

In conversation with the news agency Telam, the author of The islands and the recent The cage of the onas states that in Romeo and Juliet “Shakespeare invents the paradigm of romantic love, which replaces the previous one of courtly love, and it is still valid, too valid, thanks to Hollywood, soap operas and eternally repeated love songs, today.”

Gamero assures that when working on Shakespeare’s play, it is possible to see how the English playwright also “invents the inner monologue, which teaches us to listen to the language of thought: Joyce, Virginia Woolf, Faulkner and of course Freud learn from it”, the author of Harold Bloom and the literary canon.

At the Interzona publishing house, the writer Edgardo Scott also translated an anthology of 45 Sonnets of Shakespeare. ?Vigencia and Shakespeare seem synonymous. Which or who would be a better example? Just today, in a workshop, talking about the scriptures that become too identical to themselves, and before the reasonable objection of who could avoid that, it came to me naturally: Shakespeare ?, says the writer.

?Shakespeare is so great, so diverse, so imperfect and for that very reason great that he even manages to surpass what for any artist would be an achievement: to have his stamp. From the naïve harmony of comedy As you like to the invention of the representation of power and politics as we know them and suffer in Macbeth O Richard III, from the hermetic wonder of his sonnets to the creation of characters like Falstaff, Iago, Ofelia or Hamlet ?, Scott points out.

For Gamerro, ?Shakespeare invents a model of political literature where ideas are put to the test on stage and leaves the conclusions to the reader or the viewer: the most political line of his work, which goes from Richard III a Antony and Cleopatra?.

The writer and critic points out that the playwright carries out a permanent reflection and testing of Machiavelli’s ideas, in an arc that goes from moral rejection to acceptance “under protest” of the logic of realpolitik. And as we are still, in political theory and practice, still discussing Machiavelli, Shakespeare’s work is one of the best ways to enter the political logic of the world today, as evidenced, among so many other examples, by the ‘borrowings’ »Shakespeareans from House of Cards“, He assures.

?Perhaps the idea of ??the subject and the idea of ??the character meet in Shakespeare in an exact way that is still indecipherable for culture. That’s why we keep reading it, acting, filming, quoting. The validity of his work is truly contemporary. Its mystery remains intact ?, analyzes Scott.

In his novel HamnetMaggie O’Farrell takes the life of the writer as its axis, but leaving him in the shadows to focus on her son Hamnet, who died in 1596 in Stratford for reasons that were not included in the official documents of the time. Four years later, his father wrote one of his most celebrated works and titled it with his name making him immortal: Hamlet.

The Irish author adopts the most popular version of the boy’s death: a disease caused by the Black Death, which gives her novel a casual touch of topicality during the pandemic. However, the protagonist and heroine of Hamnet Agnes is the woman eight years older than Shakespeare, with whom he, at eighteen, would have been forced to marry after making her pregnant.

The cinema has been another bastion that has long drawn on the work of the author of Othello. To the countless film adaptations that were made about his work and his figure, this year two new films are added. One is All is true, a film directed by and starring Kenneth Branagh that revolves around the last years of Shakespeare’s life and is available on Amazon Prime Video.

The other cinematographic novelty is based on one of his works. Is about Macbeth’s tragedy which will be Joel Coen’s first film without the participation of his brother Ethan, with whom he filmed titles such as Fargo O The big lebowski. It stars Denzel Washington with Frances McDormand, who also produced the film, and it will be released worldwide in theaters on December 25 of this year and from January it will be available on the Apple TV + platform.

One of the moments of the imminent “The tragedy of Macbeth”.

Both Branagh’s film and O’Farrell’s novel echo Shakespeare’s dark feeling about the loss of his 11-year-old son Hamnet. The film proposes a play on words from the beginning: ?All is true?, ?Everything is true?. It was an alternative title that was circulating at the time of the premiere of Henry VIII, at which point, with a cannon shot, The Globe theater in London was set on fire, where all the works written by the author were staged. The film begins with the fire in which the theater is lost and then recounts the return of the playwright with his wife in Stratford, a space where he has just begun to mourn the death of his son.

In Argentina, important projects were also developed with the Shakespearean play: the collection Shakespeare by writers of Norma publishing house, directed by Marcelo Cohen, who translated the complete work, with the participation of authors from different Spanish-speaking countries, or the project of Editorial Losada, for which Pablo Ingberg made the effort to complete the canon, based on what has been done by authors and translators of the stature of Pablo Neruda, Manuel Mujica Lainez, Cristina Piña and Idea Vilariño, among others.

For Gamerro, Shakespeare is always at the forefront: “If he had lived in the 20th century, his work would have put Marx’s ideas to the test,” he says. In this way, the critic maintains that the English author recovers all the previous theater and invents all the later theater: ?He recreates the Greek tragedy, which he hardly knew, and the Latin comedy; it is renaissance, baroque, romantic, absurd and existential; his works are so flexible that they tolerate neoclassical and more experimental avant-garde settings and his action can be transferred without loss to Feudal Japan, Latin America or equatorial Africa ?, he indicates.

But also, according to Gamerro, “Shakespeare invents the cinema, since Shakespeare’s cinematographic qualities, so often pointed out, are actually Shakespearean qualities that the language of cinema took from him.”

One of the issues of translations and updates is what is lost in the change from one language to another, not only of language but in time. For the author of Facundo O Martin Fierro, in practice, the linguistic distance is not that much: ?Even some contemporary works combine fragments of Shakespeare with others spoken in modern English, such as Rosencrantz and Guildenstern are dead by Tom Stoppard, the film My private world by Gus van Sant, where the Seattle taxi boys speak the dialogues of Enrique IV, and the jumps are barely noticeable ?, he highlights.

The conclusion for Gamerro is clear: ?Shakespeare’s plays work even if we don’t follow them word for word, they work for any audience of any age, and in any language: they survive the worst translations. In the good times, of course, they are overwhelming ?.

Many Thanks To The Following Website For This Valuable Content.
Shakespeare is the most current of the classics – Diario El Ciudadano y la Región

[date_timestamp] => 1633857754 ) [5] => Array ( [title] => Justin Chon Drama Movie ? decodethenewspodcast.com [link] => https://genesisblocknews.com/justin-chon-drama-movie-decodethenewspodcast-com/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:21:14 +0000 [category] => Movie NewsChondecodethenewspodcastcomDramaJustinmovie [guid] => https://genesisblocknews.com/justin-chon-drama-movie-decodethenewspodcast-com/ [description] => Review of the film Blue Bayou, an intense drama that tells the story of Antonio, a Korean-American man who tries to raise his family. Directed, written and starring Justin Chon (Twilight, Gook), Blue Bayou hits theaters in Spain on September 10, 2021. Synopsis Antonio LeBlanc (Justin Chon), a Korean-American tattoo artist who was adopted as ... Read more [content] => Array ( [encoded] =>

Review of the film Blue Bayou, an intense drama that tells the story of Antonio, a Korean-American man who tries to raise his family. Directed, written and starring Justin Chon (Twilight, Gook), Blue Bayou hits theaters in Spain on September 10, 2021.

Synopsis

Antonio LeBlanc (Justin Chon), a Korean-American tattoo artist who was adopted as a child by an American couple, is looking for a better job to support his wife, stepdaughter and the baby they are expecting. However, after being detained by the police officer ex-husband of his wife and his violent partner, he is immersed in a process to try to avoid deportation.

Justin Chon and Alicia Vikander

Blue Bayou movie review

In a year in which we have seen the success of ?Minari Story of my family ? at the Oscars, Justin Chon intends to take his witness within the social dramas to bring us a new film that shows the perspective of the American population with South Korean origin. In this case, and partially distancing himself from the Lee Isaac Chung, Chon He bets everything on the purest and most intense melodrama, achieving a result with many virtues, but also with some problems. This is where our critique of the Blue Bayou movie.

Justin Chon, Sydney Kowalske and Alicia Vikander
Justin Chon, Sydney Kowalske and Alicia Vikander

A movie with a heart

Above all, the best of the Blue Bayou movie is that it is a ribbon made with a lot of heart. In the good and in the bad, it is difficult not to respect the work of Chon because he was clearly involved in it, and, leading the project in so many areas, it is completely imbued with his emotion and passion. In the end, the themes that he explores need part of that force motivated by the closeness and understanding of the social problem, and this is greatly enhanced by the character and the essence that it imprints. Chon.

On the negative side, many times it goes too far and does not know when to slow down a bit with the drama, the plots and with the number of topics that it seeks to address. The Blue Bayou movie he becomes entangled at times by wanting to cover too much and not knowing how to lower his dramatic enthusiasm. Ultimately, the script revolves around Antonio trying to find a solution to all the problems around him, and almost everything is well written individually, but, taken as a whole, there is an amalgam of characters, subplots and ideas that end up affecting the tone and rhythm, and make it more long than it really is. Even with all this, the positive tends to dominate the balance and prevails over the deficiencies.

On the visual plane

Regarding the visual section, the Blue Bayou movie from Chon and his photography team leave us a precious, melancholic and striking indie work, which takes advantage of the interesting locations of Louisiana and reminds us, not only of the aforementioned ?Minari Story of my family ? , if not to the projects of the same cut that the production company A24 usually premieres.

To be able to reflect that melancholy, and also linked to the protagonist?s moods and his relationship with the city and with the country, he works a lot with general shots, backlights, bluish and orange colors and places that show, well the lively and emblematic setting of New Orleans or the loneliness and harshness that surround Antonio and the working class.

More related to its nature of social protest, to show that realistic part, and added to its independent style, it is very common to see, for example, the use of shots with a handheld camera, without too much stabilization or follow-up shots at the backs of the characters, like those we can see frequently in documentary cinema.

Movie scene
Movie scene

The acting work

As for the interpretive field, the actors get a remarkable job that raises the level of the film. Justin Chon He stands out as the protagonist, and the role suits him perfectly. In various interviews, Chon admits that his initial idea was only to write the script, but he empathized and was so immersed in the drama of the deportation cases that he also took on the role of Antonio.

Next to Chon, we should highlight the performances of the Oscar winner, Alicia Vikander, what makes of Kathy, and of Sydney Kowalske, What Jessie, stepdaughter of the South Korean. The first goes from more to less, with a good performance that loses some force as the presence of his character also fades. On the side of Kowalske, the little girl achieves a very powerful result for her age. It accounts for a large part of the sentimental burden for Antonio and Jessie helps with a most sweet and tender interpretation.

As for the gray dots on the Blue Bayou movie, we find some more stereotyped characters, such as the policemen played by Mark O?Brien and Randy Austin. Even correct, his performance may squeak a bit more and his characters are a notch below.

Final opinion of the movie Blue Bayou

The Blue Bayou movie is a competent and solid drama that seeks to show the deportation cases about the Koreans who were adopted in the United States. The characters are engaging and visually powerful, although he sins of overdoing the melodrama, the subplots and the themes to be dealt with, and that in the end affects the rhythm of the film.

Premiere and Technical Sheet

Título original: Blue Bayou
Gender: Drama, Immigration
Official Site: Blue Bayou
Country: USA
Idiom: English
Release date in Spain: September 10, 2021 in theaters
Producer: Co-production United States-Canada; MACRO, Gold Productions
Distributor: Universal Pictures
Duration: 119 min.
Year: 2021
Age rating: Not recommended for children under 12 years

Artistic file

Address: Justin Chon
Script: Justin Chon
Song: Roger Suen
Photography: Before Cheng, Matthew Chuang
Distribution: Justin Chon, Alicia Vikander, Mark O?Brien, Sydney Kowalske, Linh Dan Pham, Susan McPhail, Martin Bats Bradford, Sylvia Grace Crim, Rhonda Johnson Dents, Vondie Curtis-Hall, Renell Gibbs, Jim Gleason, Randy Austin, Emory Cohen

Cartel

Blue Bayou movie poster
Blue Bayou movie poster

Trailer

FINAL REVIEW

The film Blue Bayou is a competent and solid drama, although it is true that at various points in the plot it abuses that drama and the number of themes it wants to deal with.

THE GOOD

The movie has a lot of heart. Justin Chon manages to convey with his passion and sincerity.

Interpretations.

It shows a hard and real problem in American society.

THE BAD

At times he goes overboard with melodrama and intensity.

It tries to cover a lot of themes and has too many subplots and ingredients. In the end that affects the editing and the rhythm.

Some characters are somewhat flat and stereotyped.

Many Thanks To The Following Website For This Valuable Content.
Justin Chon Drama Movie ? decodethenewspodcast.com

) [summary] => Review of the film Blue Bayou, an intense drama that tells the story of Antonio, a Korean-American man who tries to raise his family. Directed, written and starring Justin Chon (Twilight, Gook), Blue Bayou hits theaters in Spain on September 10, 2021. Synopsis Antonio LeBlanc (Justin Chon), a Korean-American tattoo artist who was adopted as ... Read more [atom_content] =>

Review of the film Blue Bayou, an intense drama that tells the story of Antonio, a Korean-American man who tries to raise his family. Directed, written and starring Justin Chon (Twilight, Gook), Blue Bayou hits theaters in Spain on September 10, 2021.

Synopsis

Antonio LeBlanc (Justin Chon), a Korean-American tattoo artist who was adopted as a child by an American couple, is looking for a better job to support his wife, stepdaughter and the baby they are expecting. However, after being detained by the police officer ex-husband of his wife and his violent partner, he is immersed in a process to try to avoid deportation.

Justin Chon and Alicia Vikander

Blue Bayou movie review

In a year in which we have seen the success of ?Minari Story of my family ? at the Oscars, Justin Chon intends to take his witness within the social dramas to bring us a new film that shows the perspective of the American population with South Korean origin. In this case, and partially distancing himself from the Lee Isaac Chung, Chon He bets everything on the purest and most intense melodrama, achieving a result with many virtues, but also with some problems. This is where our critique of the Blue Bayou movie.

Justin Chon, Sydney Kowalske and Alicia Vikander
Justin Chon, Sydney Kowalske and Alicia Vikander

A movie with a heart

Above all, the best of the Blue Bayou movie is that it is a ribbon made with a lot of heart. In the good and in the bad, it is difficult not to respect the work of Chon because he was clearly involved in it, and, leading the project in so many areas, it is completely imbued with his emotion and passion. In the end, the themes that he explores need part of that force motivated by the closeness and understanding of the social problem, and this is greatly enhanced by the character and the essence that it imprints. Chon.

On the negative side, many times it goes too far and does not know when to slow down a bit with the drama, the plots and with the number of topics that it seeks to address. The Blue Bayou movie he becomes entangled at times by wanting to cover too much and not knowing how to lower his dramatic enthusiasm. Ultimately, the script revolves around Antonio trying to find a solution to all the problems around him, and almost everything is well written individually, but, taken as a whole, there is an amalgam of characters, subplots and ideas that end up affecting the tone and rhythm, and make it more long than it really is. Even with all this, the positive tends to dominate the balance and prevails over the deficiencies.

On the visual plane

Regarding the visual section, the Blue Bayou movie from Chon and his photography team leave us a precious, melancholic and striking indie work, which takes advantage of the interesting locations of Louisiana and reminds us, not only of the aforementioned ?Minari Story of my family ? , if not to the projects of the same cut that the production company A24 usually premieres.

To be able to reflect that melancholy, and also linked to the protagonist?s moods and his relationship with the city and with the country, he works a lot with general shots, backlights, bluish and orange colors and places that show, well the lively and emblematic setting of New Orleans or the loneliness and harshness that surround Antonio and the working class.

More related to its nature of social protest, to show that realistic part, and added to its independent style, it is very common to see, for example, the use of shots with a handheld camera, without too much stabilization or follow-up shots at the backs of the characters, like those we can see frequently in documentary cinema.

Movie scene
Movie scene

The acting work

As for the interpretive field, the actors get a remarkable job that raises the level of the film. Justin Chon He stands out as the protagonist, and the role suits him perfectly. In various interviews, Chon admits that his initial idea was only to write the script, but he empathized and was so immersed in the drama of the deportation cases that he also took on the role of Antonio.

Next to Chon, we should highlight the performances of the Oscar winner, Alicia Vikander, what makes of Kathy, and of Sydney Kowalske, What Jessie, stepdaughter of the South Korean. The first goes from more to less, with a good performance that loses some force as the presence of his character also fades. On the side of Kowalske, the little girl achieves a very powerful result for her age. It accounts for a large part of the sentimental burden for Antonio and Jessie helps with a most sweet and tender interpretation.

As for the gray dots on the Blue Bayou movie, we find some more stereotyped characters, such as the policemen played by Mark O?Brien and Randy Austin. Even correct, his performance may squeak a bit more and his characters are a notch below.

Final opinion of the movie Blue Bayou

The Blue Bayou movie is a competent and solid drama that seeks to show the deportation cases about the Koreans who were adopted in the United States. The characters are engaging and visually powerful, although he sins of overdoing the melodrama, the subplots and the themes to be dealt with, and that in the end affects the rhythm of the film.

Premiere and Technical Sheet

Título original: Blue Bayou
Gender: Drama, Immigration
Official Site: Blue Bayou
Country: USA
Idiom: English
Release date in Spain: September 10, 2021 in theaters
Producer: Co-production United States-Canada; MACRO, Gold Productions
Distributor: Universal Pictures
Duration: 119 min.
Year: 2021
Age rating: Not recommended for children under 12 years

Artistic file

Address: Justin Chon
Script: Justin Chon
Song: Roger Suen
Photography: Before Cheng, Matthew Chuang
Distribution: Justin Chon, Alicia Vikander, Mark O?Brien, Sydney Kowalske, Linh Dan Pham, Susan McPhail, Martin Bats Bradford, Sylvia Grace Crim, Rhonda Johnson Dents, Vondie Curtis-Hall, Renell Gibbs, Jim Gleason, Randy Austin, Emory Cohen

Cartel

Blue Bayou movie poster
Blue Bayou movie poster

Trailer

FINAL REVIEW

The film Blue Bayou is a competent and solid drama, although it is true that at various points in the plot it abuses that drama and the number of themes it wants to deal with.

THE GOOD

The movie has a lot of heart. Justin Chon manages to convey with his passion and sincerity.

Interpretations.

It shows a hard and real problem in American society.

THE BAD

At times he goes overboard with melodrama and intensity.

It tries to cover a lot of themes and has too many subplots and ingredients. In the end that affects the editing and the rhythm.

Some characters are somewhat flat and stereotyped.

Many Thanks To The Following Website For This Valuable Content.
Justin Chon Drama Movie ? decodethenewspodcast.com

[date_timestamp] => 1633857674 ) [6] => Array ( [title] => James Bond to the Rescue of Swiss Watches: Last Mission [link] => https://genesisblocknews.com/james-bond-to-the-rescue-of-swiss-watches-last-mission/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:15:41 +0000 [category] => UncategorizedBondJamesJames BondMissionOpinionporfolioRescueSwissSwitzerlandwatches [guid] => https://genesisblocknews.com/james-bond-to-the-rescue-of-swiss-watches-last-mission/ [description] => I don’t wear a wristwatch. I haven’t used it in years. But these days I have thought that I would put one that would allow me to wear those QR codes on my wrist that have become the new safe conducts to move now in the world marked by Covid-19. QR, my love. In the ... Read more [content] => Array ( [encoded] =>

I don’t wear a wristwatch. I haven’t used it in years. But these days I have thought that I would put one that would allow me to wear those QR codes on my wrist that have become the new safe conducts to move now in the world marked by Covid-19. QR, my love.

In the last four weeks, I have done nothing but teach QR codes when entering airports, airplanes, museums, hotels, restaurants and even taxis in Spain, Italy, France and Switzerland. The Venice Biennale It is a QR display if you want to know what the show is about. A sample titled How will we live together?. I have drawn my own conclusion: teaching QR codes at all times.

Now that I have returned to travel internationally for work matters after a season on home soil, I am no longer afraid of infections but of losing my mobile or running out of battery and become in some country an outcast without QR, unable to prove my status as a vaccinated subject and subject who has completed the digital paperwork of each country. Where have I put my mobile? I rummage in a bag worthy of Mary Poppins while landing in Switzerland.

Craig, with his Omega, at the premiere in London.

Gtres

Airport Geneva, with less traffic than usual, is that nice example of Swiss efficiency. It is at the same time a formidable showroom of watch brands. The last time I was there, I think there was more bank advertising. Now they monopolize everything. Those elegant watch ads that always mark 10 hours and 10 minutes for aesthetic reasons and because the brand is better seen. On top of the baggage tapes are big Rolexes, like the ones I saw at Wimbledon.

Stores closed

The display is in contrast to the fact that some stores are closed. The duties empty frees. The losses in the tax-free premises of the airports I imagine them monumental during these last long months. And as I think about it, I notice an Omega ad. Daniel Craig. No time to die. I want to see her. It will be the first time I have returned to the cinema in almost two years. I am curious, among other things, about the inventions of Q. My coveted QR code reader watch is sure to pale in the face of your wits.

The entrance to The Woodward Hotel.

The entrance to The Woodward Hotel.

The opening of a luxurious hotel, The Woodward, called to become the best in town, has brought me here. From the terrace of my suite in the beautiful building that was the Geneva headquarters of HSBC from Wilson Avenue I observe the calm waters of Lake Geneva.

In the other side, I see the main watch houses lined up. I look at their names and their logos. Is he front row of the prestigious Swiss Made. The story of why the Swiss make watches is interesting. I remember her as I watch the calm waters of the lake from the terrace of my suite. It is all due to the wars of religion. Huguenots (French Protestants) were massacred in France and many fled to Switzerland.

Many Gallic goldsmiths and jewelers established there had to adapt to a Calvinist mentality that detested ostentation: they stopped making jewelry and ornate church ornaments, because they did not have commissions, and took advantage of their good work in the incipient watch industry.

I like to remember it because Swiss watchmakers have a formidable ability to survive. They overcome world wars, plagues, the passage of time, the competition of new and aggressive actors in play.

Painting of 'The Massacre of Saint Bartholomew' by François Dubois.

Painting of ‘The Massacre of Saint Bartholomew’ by François Dubois.

6.9 million less

Its first major crisis came when the Japanese brought out quartz watches. It seemed like it was all over for them in the late 70s, especially in the segment of cheaper watches. Their counterattack was a resounding success: they created Swatch, a success story with the proper name of Nicolas Hayet which is studied in all business schools in the world. Colorful, cute, emotional, collectible, cheap but reliable and stylish. I also had one. Snoopy.

On the street, I go to the shopping area thinking about the new enemies. After the Japanese came the Americans, the Chinese, the digital world, the Covid-19 … 2020 has been a disastrous year for the watch industry for the Swiss country. According to official data from the Federation of the Swiss Watch Industry, revenue from watch exports has fallen by 21.8%.

The year 2020 has been disastrous for the watch industry in the Swiss country with a 33% drop in exports

The second quarter of the year recorded a historic milestone with a 61.6% drop in relation to the same period of the previous year. The number of watches exported during the year suffered a drop of 33.3%, which means that left the country for sale abroad, 6.9 million watches less than in 2019.

The decline, according to the same study, affects more strongly to watches under 500 Swiss francs, which only reinforces the trend of recent years.

The reality in the main Geneva stores seems to corroborate this situation in the domestic market. A simple look at the locals on the streets of Rue de Rhône Rue and the more popular Rue de la Croix-d’Or it is an example that they are not in the best moment. In luxurious venues there is hardly anyone, so the contrast with the number of employees and security personnel is greater. I think about the number of times they put and remove the clocks from the shop windows at the time of opening and closing without, perhaps, having sold a single watch. Maybe one or two.

Swatch store in Geneva.

Swatch store in Geneva.

VV

Omega Store with Daniel Craig.

Omega Store with Daniel Craig.

VV

The Swatch case

In the colorful Swatch store I am not greeted by Snoopy but James Bond. A life-size poster of 007 in this light gray suit that seems to never go out of style, a watch peeking out of the left arm sleeve, a Aston Martin parked behind and that kind of air cool.

But wasn’t Daniel Craig carrying an Omega at the airport? Why are you receiving me at the main Swatch store? Swatch is not only a watch brand, it is also a large conglomerate that has under its umbrella 19 firms in different price ranges and segments. From Breguet (Maria Antoinette’s watch, which reminds me of my recent stay in Versailles) to Omega, Longines, Rado, Hamilton …

I’m the only one in the store. They don’t have Snoopy’s watch, but I find, to my surprise, a limited edition of a Swatch designed by Q on the occasion of the premiere of No time to die. Do you have a QR reader? I ask. I’m afraid not. And they show me some models that are used to pay in some establishments.

As I make my way to Omega’s store I think of the war between the so-called smartwatches and analog clocks and how the situation will be resolved in the future. According to data from Global Smartphone Shipments Tracker de Counterpoint Research, the sale of this type of watch increased slightly in 2020 and Apple consolidates its position, followed by Samsung and Huawei. Apple Watch Series 6 and SE sold nearly 13 million units in 2020.

And the Rolex?

And as I continue my walk through empty watch shops, I think about the curious paradox: any young man today with a watch of this type wears more functionalities on his wrist than the watch worn by the superagent. What a curious paradox, Mr Q. How could I imagine such a scenario Ian Fleming when he wrote the first installment of his character in 1952.

The writer, eager to make the character more credible, endowed him with real objects, with their own name, with the main purpose of making him more credible among his readers, to make him also a refined guy perhaps not very in line with his salary military. James Bond, license to spend. Aston Martin, Taittinger, cigarrillos Moreland, mermelada Tiptree Little Scarlet y Rolex.

Sean Connery with a rolex.

Sean Connery with a rolex.

Yes, the original and genuine agent’s watch created by Fleming was none other than a Rolex Oyster Perpetual. In fact, it’s the one he always wore Sean Connery. But we live without time to remember, in the times of product placement, in the times of fine tuning complex machines that have nothing to envy to the whirlpools.

They are complex machinery where advertising, marketing, brand ambassadors, red carpets, sporting events, celebrities, the premieres, the windows in airports around the world and the limited editions.

When I arrive at the main Omega store in Geneva, whose address has been given to me in the neighboring Swatch store, I check with surprise that it is temporarily closed for reform. It does not seem the best to me timing, precisely the week of the premiere of the latest installment of James Bond. I go to a smaller one nearby.

Omega is not only the sponsor but has a very close bond with the man of the moment, which is none other than James Bond. The film broke the franchise record for $ 34 million on opening weekend in the UK. The premiere has sparked the best three days at the box office in the 60-year history of the adventures of the most famous agent in His Majesty’s service. When the cinema seemed half dead, James Bond comes to its rescue.

The film was, with 34 million dollars, the record of collection of the films of James Bond in the United Kingdom

Will the same thing happen with the watches that it represents with so much style? How many viewers of the last installment wear a watch on their wrist? I think about this question on the plane back to Madrid, when I leave behind the duties Empty frees from Geneva airport, shops with more watches than buyers, QR codes.

“I’m home now”. No one. They have gone to the movies to see the latest James Bond. Wow. No time for mom. My kids don’t wear a watch either. My university students, for the most part, don’t either. They look at the time on their cell phones. Has the time of wrist watches passed? Open question.

Jeff Bezos, after his trip to space, with an omega on his wrist.

Jeff Bezos, after his trip to space, with an omega on his wrist.

Reuters

What seems not to have passed is the time for James Bond, capable of surviving everyone. Included to Amazon. Amazon took over James Bond production company MGM last May for $ 8.45 billion, at a watershed moment for the entertainment industry. It has acquired the rights to all the films in the series and may become a decisive piece in the future.

Will we ever see its premieres on Amazon Prime? Another open question. For the moment, Jeff Bezos, debuted in space with an Omega on his wrist. The Omega Speedmaster, known as the Moonwatch. Omega is now associated with James Bond but earlier, especially, with the Apollo XI crew watch. The first watch on the moon.

Of course, Bezos ordered custom straps with the name Blue Origin. So he already has something in common with the new creature from his extraordinary collection of acquisitions that surely in the future will include all kinds of things that I am not even capable of imagining, such as metaverses and other inventions that I think are too big for me. In conclusion, I miss Snoopy.

.

Many Thanks To The Following Website For This Valuable Content.
James Bond to the Rescue of Swiss Watches: Last Mission

) [summary] => I don’t wear a wristwatch. I haven’t used it in years. But these days I have thought that I would put one that would allow me to wear those QR codes on my wrist that have become the new safe conducts to move now in the world marked by Covid-19. QR, my love. In the ... Read more [atom_content] =>

I don’t wear a wristwatch. I haven’t used it in years. But these days I have thought that I would put one that would allow me to wear those QR codes on my wrist that have become the new safe conducts to move now in the world marked by Covid-19. QR, my love.

In the last four weeks, I have done nothing but teach QR codes when entering airports, airplanes, museums, hotels, restaurants and even taxis in Spain, Italy, France and Switzerland. The Venice Biennale It is a QR display if you want to know what the show is about. A sample titled How will we live together?. I have drawn my own conclusion: teaching QR codes at all times.

Now that I have returned to travel internationally for work matters after a season on home soil, I am no longer afraid of infections but of losing my mobile or running out of battery and become in some country an outcast without QR, unable to prove my status as a vaccinated subject and subject who has completed the digital paperwork of each country. Where have I put my mobile? I rummage in a bag worthy of Mary Poppins while landing in Switzerland.

Craig, with his Omega, at the premiere in London.

Gtres

Airport Geneva, with less traffic than usual, is that nice example of Swiss efficiency. It is at the same time a formidable showroom of watch brands. The last time I was there, I think there was more bank advertising. Now they monopolize everything. Those elegant watch ads that always mark 10 hours and 10 minutes for aesthetic reasons and because the brand is better seen. On top of the baggage tapes are big Rolexes, like the ones I saw at Wimbledon.

Stores closed

The display is in contrast to the fact that some stores are closed. The duties empty frees. The losses in the tax-free premises of the airports I imagine them monumental during these last long months. And as I think about it, I notice an Omega ad. Daniel Craig. No time to die. I want to see her. It will be the first time I have returned to the cinema in almost two years. I am curious, among other things, about the inventions of Q. My coveted QR code reader watch is sure to pale in the face of your wits.

The entrance to The Woodward Hotel.

The entrance to The Woodward Hotel.

The opening of a luxurious hotel, The Woodward, called to become the best in town, has brought me here. From the terrace of my suite in the beautiful building that was the Geneva headquarters of HSBC from Wilson Avenue I observe the calm waters of Lake Geneva.

In the other side, I see the main watch houses lined up. I look at their names and their logos. Is he front row of the prestigious Swiss Made. The story of why the Swiss make watches is interesting. I remember her as I watch the calm waters of the lake from the terrace of my suite. It is all due to the wars of religion. Huguenots (French Protestants) were massacred in France and many fled to Switzerland.

Many Gallic goldsmiths and jewelers established there had to adapt to a Calvinist mentality that detested ostentation: they stopped making jewelry and ornate church ornaments, because they did not have commissions, and took advantage of their good work in the incipient watch industry.

I like to remember it because Swiss watchmakers have a formidable ability to survive. They overcome world wars, plagues, the passage of time, the competition of new and aggressive actors in play.

Painting of 'The Massacre of Saint Bartholomew' by François Dubois.

Painting of ‘The Massacre of Saint Bartholomew’ by François Dubois.

6.9 million less

Its first major crisis came when the Japanese brought out quartz watches. It seemed like it was all over for them in the late 70s, especially in the segment of cheaper watches. Their counterattack was a resounding success: they created Swatch, a success story with the proper name of Nicolas Hayet which is studied in all business schools in the world. Colorful, cute, emotional, collectible, cheap but reliable and stylish. I also had one. Snoopy.

On the street, I go to the shopping area thinking about the new enemies. After the Japanese came the Americans, the Chinese, the digital world, the Covid-19 … 2020 has been a disastrous year for the watch industry for the Swiss country. According to official data from the Federation of the Swiss Watch Industry, revenue from watch exports has fallen by 21.8%.

The year 2020 has been disastrous for the watch industry in the Swiss country with a 33% drop in exports

The second quarter of the year recorded a historic milestone with a 61.6% drop in relation to the same period of the previous year. The number of watches exported during the year suffered a drop of 33.3%, which means that left the country for sale abroad, 6.9 million watches less than in 2019.

The decline, according to the same study, affects more strongly to watches under 500 Swiss francs, which only reinforces the trend of recent years.

The reality in the main Geneva stores seems to corroborate this situation in the domestic market. A simple look at the locals on the streets of Rue de Rhône Rue and the more popular Rue de la Croix-d’Or it is an example that they are not in the best moment. In luxurious venues there is hardly anyone, so the contrast with the number of employees and security personnel is greater. I think about the number of times they put and remove the clocks from the shop windows at the time of opening and closing without, perhaps, having sold a single watch. Maybe one or two.

Swatch store in Geneva.

Swatch store in Geneva.

VV

Omega Store with Daniel Craig.

Omega Store with Daniel Craig.

VV

The Swatch case

In the colorful Swatch store I am not greeted by Snoopy but James Bond. A life-size poster of 007 in this light gray suit that seems to never go out of style, a watch peeking out of the left arm sleeve, a Aston Martin parked behind and that kind of air cool.

But wasn’t Daniel Craig carrying an Omega at the airport? Why are you receiving me at the main Swatch store? Swatch is not only a watch brand, it is also a large conglomerate that has under its umbrella 19 firms in different price ranges and segments. From Breguet (Maria Antoinette’s watch, which reminds me of my recent stay in Versailles) to Omega, Longines, Rado, Hamilton …

I’m the only one in the store. They don’t have Snoopy’s watch, but I find, to my surprise, a limited edition of a Swatch designed by Q on the occasion of the premiere of No time to die. Do you have a QR reader? I ask. I’m afraid not. And they show me some models that are used to pay in some establishments.

As I make my way to Omega’s store I think of the war between the so-called smartwatches and analog clocks and how the situation will be resolved in the future. According to data from Global Smartphone Shipments Tracker de Counterpoint Research, the sale of this type of watch increased slightly in 2020 and Apple consolidates its position, followed by Samsung and Huawei. Apple Watch Series 6 and SE sold nearly 13 million units in 2020.

And the Rolex?

And as I continue my walk through empty watch shops, I think about the curious paradox: any young man today with a watch of this type wears more functionalities on his wrist than the watch worn by the superagent. What a curious paradox, Mr Q. How could I imagine such a scenario Ian Fleming when he wrote the first installment of his character in 1952.

The writer, eager to make the character more credible, endowed him with real objects, with their own name, with the main purpose of making him more credible among his readers, to make him also a refined guy perhaps not very in line with his salary military. James Bond, license to spend. Aston Martin, Taittinger, cigarrillos Moreland, mermelada Tiptree Little Scarlet y Rolex.

Sean Connery with a rolex.

Sean Connery with a rolex.

Yes, the original and genuine agent’s watch created by Fleming was none other than a Rolex Oyster Perpetual. In fact, it’s the one he always wore Sean Connery. But we live without time to remember, in the times of product placement, in the times of fine tuning complex machines that have nothing to envy to the whirlpools.

They are complex machinery where advertising, marketing, brand ambassadors, red carpets, sporting events, celebrities, the premieres, the windows in airports around the world and the limited editions.

When I arrive at the main Omega store in Geneva, whose address has been given to me in the neighboring Swatch store, I check with surprise that it is temporarily closed for reform. It does not seem the best to me timing, precisely the week of the premiere of the latest installment of James Bond. I go to a smaller one nearby.

Omega is not only the sponsor but has a very close bond with the man of the moment, which is none other than James Bond. The film broke the franchise record for $ 34 million on opening weekend in the UK. The premiere has sparked the best three days at the box office in the 60-year history of the adventures of the most famous agent in His Majesty’s service. When the cinema seemed half dead, James Bond comes to its rescue.

The film was, with 34 million dollars, the record of collection of the films of James Bond in the United Kingdom

Will the same thing happen with the watches that it represents with so much style? How many viewers of the last installment wear a watch on their wrist? I think about this question on the plane back to Madrid, when I leave behind the duties Empty frees from Geneva airport, shops with more watches than buyers, QR codes.

“I’m home now”. No one. They have gone to the movies to see the latest James Bond. Wow. No time for mom. My kids don’t wear a watch either. My university students, for the most part, don’t either. They look at the time on their cell phones. Has the time of wrist watches passed? Open question.

Jeff Bezos, after his trip to space, with an omega on his wrist.

Jeff Bezos, after his trip to space, with an omega on his wrist.

Reuters

What seems not to have passed is the time for James Bond, capable of surviving everyone. Included to Amazon. Amazon took over James Bond production company MGM last May for $ 8.45 billion, at a watershed moment for the entertainment industry. It has acquired the rights to all the films in the series and may become a decisive piece in the future.

Will we ever see its premieres on Amazon Prime? Another open question. For the moment, Jeff Bezos, debuted in space with an Omega on his wrist. The Omega Speedmaster, known as the Moonwatch. Omega is now associated with James Bond but earlier, especially, with the Apollo XI crew watch. The first watch on the moon.

Of course, Bezos ordered custom straps with the name Blue Origin. So he already has something in common with the new creature from his extraordinary collection of acquisitions that surely in the future will include all kinds of things that I am not even capable of imagining, such as metaverses and other inventions that I think are too big for me. In conclusion, I miss Snoopy.

.

Many Thanks To The Following Website For This Valuable Content.
James Bond to the Rescue of Swiss Watches: Last Mission

[date_timestamp] => 1633857341 ) [7] => Array ( [title] => Tyson Fury finishes Deontay Wilder with brutal knockout in 11 rounds [link] => https://genesisblocknews.com/tyson-fury-finishes-deontay-wilder-with-brutal-knockout-in-11-rounds/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:14:19 +0000 [category] => Daily NewsBoxingbrutalDeontayfinishesFuryKnockoutroundsSalvador RodriguezTysonWilder [guid] => https://genesisblocknews.com/tyson-fury-finishes-deontay-wilder-with-brutal-knockout-in-11-rounds/ [description] => The heavyweight championship of the World Boxing Council still in the hands of Tyson Fury after a great performance in front of Deontay Wilder to close his trilogy at the T-Mobile Arena in Las Vegas, Nevada. Fury retained the belt with a brutal knockout in the eleventh round after a battle in which both contenders ... Read more [content] => Array ( [encoded] =>

The heavyweight championship of the World Boxing Council still in the hands of Tyson Fury after a great performance in front of Deontay Wilder to close his trilogy at the T-Mobile Arena in Las Vegas, Nevada.

Fury retained the belt with a brutal knockout in the eleventh round after a battle in which both contenders visited the mat repeatedly, but in the end, the ‘Gypsy King‘came out with a raised fist.

The fight began with an exchange of blows, there was no study round, with Wilder taking the initiative and even landing better shots, but Fury It was the one that caused the most damage when in the third he sent him to the canvas with a powerful bombshell.

Against all odds, Wilder He got up and turned on the champion’s alarms, sending him to the canvas twice in the fourth, however, he could not finish it and from that moment the fight was carried out with the rhythm that he dictated Fury.

From the fifth on the British owned the ring, constantly hurting the face of Wilder, who stood showing a big heart.

But the scares weren’t over for Fury, who sent to the canvas Wilder in the tenth round before the challenger found the face of the ‘Gypsy King‘to put it in bad shape before the bell.

Motivation of Wilder it was ephemeral, well Fury He dominated again in the 11th and was in charge of finishing the trilogy with a powerful blow to the face that made the ‘Bronze Bomber‘, forcing referee Russell Mora to step in to stop the lawsuit.

You can enjoy the best boxing events exclusively on Star +, subscribe here!

With this victory, Fury the first successful defense of his belt and improved his record to 31-0-1 with 22 knockouts, while Wilder it stalled at 41-2-1, with 41 chloroforms.

In their first confrontation, Fury got up off the canvas to rescue a draw and stay undefeated in front of Wilder and for his second duel the Briton was the winner with a resounding knockout.

.

Many Thanks To The Following Website For This Valuable Content.
Tyson Fury finishes Deontay Wilder with brutal knockout in 11 rounds

) [summary] => The heavyweight championship of the World Boxing Council still in the hands of Tyson Fury after a great performance in front of Deontay Wilder to close his trilogy at the T-Mobile Arena in Las Vegas, Nevada. Fury retained the belt with a brutal knockout in the eleventh round after a battle in which both contenders ... Read more [atom_content] =>

The heavyweight championship of the World Boxing Council still in the hands of Tyson Fury after a great performance in front of Deontay Wilder to close his trilogy at the T-Mobile Arena in Las Vegas, Nevada.

Fury retained the belt with a brutal knockout in the eleventh round after a battle in which both contenders visited the mat repeatedly, but in the end, the ‘Gypsy King‘came out with a raised fist.

The fight began with an exchange of blows, there was no study round, with Wilder taking the initiative and even landing better shots, but Fury It was the one that caused the most damage when in the third he sent him to the canvas with a powerful bombshell.

Against all odds, Wilder He got up and turned on the champion’s alarms, sending him to the canvas twice in the fourth, however, he could not finish it and from that moment the fight was carried out with the rhythm that he dictated Fury.

From the fifth on the British owned the ring, constantly hurting the face of Wilder, who stood showing a big heart.

But the scares weren’t over for Fury, who sent to the canvas Wilder in the tenth round before the challenger found the face of the ‘Gypsy King‘to put it in bad shape before the bell.

Motivation of Wilder it was ephemeral, well Fury He dominated again in the 11th and was in charge of finishing the trilogy with a powerful blow to the face that made the ‘Bronze Bomber‘, forcing referee Russell Mora to step in to stop the lawsuit.

You can enjoy the best boxing events exclusively on Star +, subscribe here!

With this victory, Fury the first successful defense of his belt and improved his record to 31-0-1 with 22 knockouts, while Wilder it stalled at 41-2-1, with 41 chloroforms.

In their first confrontation, Fury got up off the canvas to rescue a draw and stay undefeated in front of Wilder and for his second duel the Briton was the winner with a resounding knockout.

.

Many Thanks To The Following Website For This Valuable Content.
Tyson Fury finishes Deontay Wilder with brutal knockout in 11 rounds

[date_timestamp] => 1633857259 ) [8] => Array ( [title] => ?Free Guy: Taking Control?: What will happen when the NPCs have a conscience? ? Movie news [link] => https://genesisblocknews.com/free-guy-taking-control-what-will-happen-when-the-npcs-have-a-conscience-movie-news/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:11:45 +0000 [category] => Movie NewsconscienceControlFreeGuyhappenmovieNewsNPCs [guid] => https://genesisblocknews.com/free-guy-taking-control-what-will-happen-when-the-npcs-have-a-conscience-movie-news/ [description] => The story of ‘Free Guy: Taking Control’ shows an NPC gaining consciousness within a video game, could this really happen? Some intellectuals think that it is very likely and could exceed our imagination. Free Guy: Taking Control has established itself as one of the most popular movies in our country; The story follows Guy (Ryan ... Read more [content] => Array ( [encoded] =>

The story of ‘Free Guy: Taking Control’ shows an NPC gaining consciousness within a video game, could this really happen? Some intellectuals think that it is very likely and could exceed our imagination.

Free Guy: Taking Control has established itself as one of the most popular movies in our country; The story follows Guy (Ryan Reynolds), an NPC (non-player character) who lives in Free City, a video game where thousands of players connect daily and spend hours unfolding through their avatars, just like in Grand Theft Auto. With the passage of time, the protagonist of the story acquires his own consciousness, this leads us to ask ourselves: What if this happened in real life? Could video game development create beings capable of thinking and feeling every time you turn on your console?

The film directed by Shawn Levy (Giants of Steel) put the issue back on the table. We must mention that it is not something new, much less an unexplored subject; various intellectuals have focused their theories and studies to try to answer this, since deep down, the human being could create living beings based on algorithms and this could become a real population that makes its own decisions. This was mentioned in an interview with VICE NASA scientist Richard Terrile, who promotes the simulation hypothesis.

“In 30 years we hope that a PlayStation (they release a new PlayStation every six or eight years, so this would be a PlayStation 7) will be able to calculate about 10,000 human lives simultaneously in real time, that is, one human life in an hour . How many PlayStations are there in the world? More than 100 million, no doubt. So think of 100 million consoles, each containing 10,000 human beings.“said the scientist.

That means that, by then, conceptually, there could be more humans living on PlayStations than humans currently living on Earth.

Could NPCs come to life in the future of video games?

DOES HUMANITY ALSO LIVE INSIDE A SIMULATION?

The approaches that were presented in the film starring Ryan Reynolds, Taika Waititi, Joe Keery and Jodie Comer may actually be more complex than we could imagine, Terrile explains that the very existence of humanity could actually be, a simulation designed by mysterious programmers and us NPCs. To better explain it, he used the video game Grand Theft Auto as a starting point.

‘Free Guy: Taking Control’: All the film’s similarities to Grand Theft Auto

“The natural world behaves exactly like the environment in Grand Theft Auto IV. In the game, you can explore Liberty City seamlessly in phenomenal detail, you see exactly what you need to see of Liberty City when you need it. The universe behaves exactly the same, in quantum mechanics, the particles do not have a defined state unless they are observed, “he elaborated.

NASA scientist Richard Terrile theorizes that video game consoles could store thousands of NPCs alive at the same time.

One of the explanations is that we are living inside a simulation, seeing what we need to see when we need to see it.

Do you remember the end of Free Guy: Taking Control? The nice guy in the blue shirt lives inside another video game and is aware of it, meanwhile, in the real world, its programmers go on with their lives. This ladder of hierarchies could be part of our reality and the video games of the future could have characters with programming skills, all within the same console.

‘Free Guy’: 15 behind-the-scenes pictures with Ryan Reynolds you shouldn’t miss

The simulation theory mentions that human beings also live within a reality constructed by mysterious programmers.

We are on the threshold of being able to create a universe – a simulation – and in turn we could be living within a simulation, which could in turn be another simulation. And our simulated beings could also create simulations.

These same approaches have been adopted by video game experts, such as Rodrigo Villanueva, who reflected on precision within various titles that simulate all kinds of details of our reality, such as the force of gravity or the cycle of day and night: “Rather than being a hit product of the entertainment machine or Rockstar’s masterpiece, Grand Theft Auto V is a sophisticated simulation of real life. The title has its flaws, of course, but it is governed, after all, by principles very similar to what we usually call reality. “

Now what Free Guy: Taking Control put the issue back on the table and considering these scientific hypotheses, What are you going to do the next time you decide to play titles like SimCity or Grand Theft Auto? Experts point out that there is a chance to find a real Guy.

The story of ‘Free Guy: Taking Control’ shows an NPC gaining consciousness within a video game, could this really happen? Some intellectuals think that it is very likely and could exceed our imagination.

Free Guy: Taking Control has established itself as one of the most popular movies in our country; The story follows Guy (Ryan Reynolds), an NPC (non-player character) who lives in Free City, a video game where thousands of players connect daily and spend hours unfolding through their avatars, just like in Grand Theft Auto. With the passage of time, the protagonist of the story acquires his own consciousness, this leads us to ask ourselves: What if this happened in real life? Could video game development create beings capable of thinking and feeling every time you turn on your console?

The film directed by Shawn Levy (Giants of Steel) put the issue back on the table. We must mention that it is not something new, much less an unexplored subject; various intellectuals have focused their theories and studies to try to answer this, since deep down, the human being could create living beings based on algorithms and this could become a real population that makes its own decisions. This was mentioned in an interview with VICE NASA scientist Richard Terrile, who promotes the simulation hypothesis.

“In 30 years we hope that a PlayStation (they release a new PlayStation every six or eight years, so this would be a PlayStation 7) will be able to calculate about 10,000 human lives simultaneously in real time, that is, one human life in an hour . How many PlayStations are there in the world? More than 100 million, no doubt. So think of 100 million consoles, each containing 10,000 human beings.“said the scientist.

That means that, by then, conceptually, there could be more humans living on PlayStations than humans currently living on Earth.

Could NPCs come to life in the future of video games?

DOES HUMANITY ALSO LIVE INSIDE A SIMULATION?

The approaches that were presented in the film starring Ryan Reynolds, Taika Waititi, Joe Keery and Jodie Comer may actually be more complex than we could imagine, Terrile explains that the very existence of humanity could actually be, a simulation designed by mysterious programmers and us NPCs. To better explain it, he used the video game Grand Theft Auto as a starting point.

‘Free Guy: Taking Control’: All the film’s similarities to Grand Theft Auto

“The natural world behaves exactly like the environment in Grand Theft Auto IV. In the game, you can explore Liberty City seamlessly in phenomenal detail, you see exactly what you need to see of Liberty City when you need it. The universe behaves exactly the same, in quantum mechanics, the particles do not have a defined state unless they are observed, “he elaborated.

NASA scientist Richard Terrile theorizes that video game consoles could store thousands of NPCs alive at the same time.

One of the explanations is that we are living inside a simulation, seeing what we need to see when we need to see it.

Do you remember the end of Free Guy: Taking Control? The nice guy in the blue shirt lives inside another video game and is aware of it, meanwhile, in the real world, its programmers go on with their lives. This ladder of hierarchies could be part of our reality and the video games of the future could have characters with programming skills, all within the same console.

‘Free Guy’: 15 behind-the-scenes pictures with Ryan Reynolds you shouldn’t miss

The simulation theory mentions that human beings also live within a reality constructed by mysterious programmers.

We are on the threshold of being able to create a universe – a simulation – and in turn we could be living within a simulation, which could in turn be another simulation. And our simulated beings could also create simulations.

These same approaches have been adopted by video game experts, such as Rodrigo Villanueva, who reflected on precision within various titles that simulate all kinds of details of our reality, such as the force of gravity or the cycle of day and night: “Rather than being a hit product of the entertainment machine or Rockstar’s masterpiece, Grand Theft Auto V is a sophisticated simulation of real life. The title has its flaws, of course, but it is governed, after all, by principles very similar to what we usually call reality. “

Now what Free Guy: Taking Control put the issue back on the table and considering these scientific hypotheses, What are you going to do the next time you decide to play titles like SimCity or Grand Theft Auto? Experts point out that there is a chance to find a real Guy.

Many Thanks To The Following Website For This Valuable Content.
‘Free Guy: Taking Control’: What will happen when the NPCs have a conscience? – Movie news

) [summary] => The story of ‘Free Guy: Taking Control’ shows an NPC gaining consciousness within a video game, could this really happen? Some intellectuals think that it is very likely and could exceed our imagination. Free Guy: Taking Control has established itself as one of the most popular movies in our country; The story follows Guy (Ryan ... Read more [atom_content] =>

The story of ‘Free Guy: Taking Control’ shows an NPC gaining consciousness within a video game, could this really happen? Some intellectuals think that it is very likely and could exceed our imagination.

Free Guy: Taking Control has established itself as one of the most popular movies in our country; The story follows Guy (Ryan Reynolds), an NPC (non-player character) who lives in Free City, a video game where thousands of players connect daily and spend hours unfolding through their avatars, just like in Grand Theft Auto. With the passage of time, the protagonist of the story acquires his own consciousness, this leads us to ask ourselves: What if this happened in real life? Could video game development create beings capable of thinking and feeling every time you turn on your console?

The film directed by Shawn Levy (Giants of Steel) put the issue back on the table. We must mention that it is not something new, much less an unexplored subject; various intellectuals have focused their theories and studies to try to answer this, since deep down, the human being could create living beings based on algorithms and this could become a real population that makes its own decisions. This was mentioned in an interview with VICE NASA scientist Richard Terrile, who promotes the simulation hypothesis.

“In 30 years we hope that a PlayStation (they release a new PlayStation every six or eight years, so this would be a PlayStation 7) will be able to calculate about 10,000 human lives simultaneously in real time, that is, one human life in an hour . How many PlayStations are there in the world? More than 100 million, no doubt. So think of 100 million consoles, each containing 10,000 human beings.“said the scientist.

That means that, by then, conceptually, there could be more humans living on PlayStations than humans currently living on Earth.

Could NPCs come to life in the future of video games?

DOES HUMANITY ALSO LIVE INSIDE A SIMULATION?

The approaches that were presented in the film starring Ryan Reynolds, Taika Waititi, Joe Keery and Jodie Comer may actually be more complex than we could imagine, Terrile explains that the very existence of humanity could actually be, a simulation designed by mysterious programmers and us NPCs. To better explain it, he used the video game Grand Theft Auto as a starting point.

‘Free Guy: Taking Control’: All the film’s similarities to Grand Theft Auto

“The natural world behaves exactly like the environment in Grand Theft Auto IV. In the game, you can explore Liberty City seamlessly in phenomenal detail, you see exactly what you need to see of Liberty City when you need it. The universe behaves exactly the same, in quantum mechanics, the particles do not have a defined state unless they are observed, “he elaborated.

NASA scientist Richard Terrile theorizes that video game consoles could store thousands of NPCs alive at the same time.

One of the explanations is that we are living inside a simulation, seeing what we need to see when we need to see it.

Do you remember the end of Free Guy: Taking Control? The nice guy in the blue shirt lives inside another video game and is aware of it, meanwhile, in the real world, its programmers go on with their lives. This ladder of hierarchies could be part of our reality and the video games of the future could have characters with programming skills, all within the same console.

‘Free Guy’: 15 behind-the-scenes pictures with Ryan Reynolds you shouldn’t miss

The simulation theory mentions that human beings also live within a reality constructed by mysterious programmers.

We are on the threshold of being able to create a universe – a simulation – and in turn we could be living within a simulation, which could in turn be another simulation. And our simulated beings could also create simulations.

These same approaches have been adopted by video game experts, such as Rodrigo Villanueva, who reflected on precision within various titles that simulate all kinds of details of our reality, such as the force of gravity or the cycle of day and night: “Rather than being a hit product of the entertainment machine or Rockstar’s masterpiece, Grand Theft Auto V is a sophisticated simulation of real life. The title has its flaws, of course, but it is governed, after all, by principles very similar to what we usually call reality. “

Now what Free Guy: Taking Control put the issue back on the table and considering these scientific hypotheses, What are you going to do the next time you decide to play titles like SimCity or Grand Theft Auto? Experts point out that there is a chance to find a real Guy.

The story of ‘Free Guy: Taking Control’ shows an NPC gaining consciousness within a video game, could this really happen? Some intellectuals think that it is very likely and could exceed our imagination.

Free Guy: Taking Control has established itself as one of the most popular movies in our country; The story follows Guy (Ryan Reynolds), an NPC (non-player character) who lives in Free City, a video game where thousands of players connect daily and spend hours unfolding through their avatars, just like in Grand Theft Auto. With the passage of time, the protagonist of the story acquires his own consciousness, this leads us to ask ourselves: What if this happened in real life? Could video game development create beings capable of thinking and feeling every time you turn on your console?

The film directed by Shawn Levy (Giants of Steel) put the issue back on the table. We must mention that it is not something new, much less an unexplored subject; various intellectuals have focused their theories and studies to try to answer this, since deep down, the human being could create living beings based on algorithms and this could become a real population that makes its own decisions. This was mentioned in an interview with VICE NASA scientist Richard Terrile, who promotes the simulation hypothesis.

“In 30 years we hope that a PlayStation (they release a new PlayStation every six or eight years, so this would be a PlayStation 7) will be able to calculate about 10,000 human lives simultaneously in real time, that is, one human life in an hour . How many PlayStations are there in the world? More than 100 million, no doubt. So think of 100 million consoles, each containing 10,000 human beings.“said the scientist.

That means that, by then, conceptually, there could be more humans living on PlayStations than humans currently living on Earth.

Could NPCs come to life in the future of video games?

DOES HUMANITY ALSO LIVE INSIDE A SIMULATION?

The approaches that were presented in the film starring Ryan Reynolds, Taika Waititi, Joe Keery and Jodie Comer may actually be more complex than we could imagine, Terrile explains that the very existence of humanity could actually be, a simulation designed by mysterious programmers and us NPCs. To better explain it, he used the video game Grand Theft Auto as a starting point.

‘Free Guy: Taking Control’: All the film’s similarities to Grand Theft Auto

“The natural world behaves exactly like the environment in Grand Theft Auto IV. In the game, you can explore Liberty City seamlessly in phenomenal detail, you see exactly what you need to see of Liberty City when you need it. The universe behaves exactly the same, in quantum mechanics, the particles do not have a defined state unless they are observed, “he elaborated.

NASA scientist Richard Terrile theorizes that video game consoles could store thousands of NPCs alive at the same time.

One of the explanations is that we are living inside a simulation, seeing what we need to see when we need to see it.

Do you remember the end of Free Guy: Taking Control? The nice guy in the blue shirt lives inside another video game and is aware of it, meanwhile, in the real world, its programmers go on with their lives. This ladder of hierarchies could be part of our reality and the video games of the future could have characters with programming skills, all within the same console.

‘Free Guy’: 15 behind-the-scenes pictures with Ryan Reynolds you shouldn’t miss

The simulation theory mentions that human beings also live within a reality constructed by mysterious programmers.

We are on the threshold of being able to create a universe – a simulation – and in turn we could be living within a simulation, which could in turn be another simulation. And our simulated beings could also create simulations.

These same approaches have been adopted by video game experts, such as Rodrigo Villanueva, who reflected on precision within various titles that simulate all kinds of details of our reality, such as the force of gravity or the cycle of day and night: “Rather than being a hit product of the entertainment machine or Rockstar’s masterpiece, Grand Theft Auto V is a sophisticated simulation of real life. The title has its flaws, of course, but it is governed, after all, by principles very similar to what we usually call reality. “

Now what Free Guy: Taking Control put the issue back on the table and considering these scientific hypotheses, What are you going to do the next time you decide to play titles like SimCity or Grand Theft Auto? Experts point out that there is a chance to find a real Guy.

Many Thanks To The Following Website For This Valuable Content.
‘Free Guy: Taking Control’: What will happen when the NPCs have a conscience? – Movie news

[date_timestamp] => 1633857105 ) [9] => Array ( [title] => Contemporary art seeks its place on hostile terrain [link] => https://genesisblocknews.com/contemporary-art-seeks-its-place-on-hostile-terrain/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Sun, 10 Oct 2021 09:06:49 +0000 [category] => Movie NewsartContemporarycontemporary arthostilejoaquin guzmanPlaceseeksterrain [guid] => https://genesisblocknews.com/contemporary-art-seeks-its-place-on-hostile-terrain/ [description] => VALENCIA. If we go in search of the art that is being made today, we can go to an exhibition of a figurative artist with traces between impressionism and the academy, and two streets beyond the exhibition, which is not about painting, shows us a conceptual installation that works with the video and with lost ... Read more [content] => Array ( [encoded] =>

VALENCIA. If we go in search of the art that is being made today, we can go to an exhibition of a figurative artist with traces between impressionism and the academy, and two streets beyond the exhibition, which is not about painting, shows us a conceptual installation that works with the video and with lost and found more or less intervened by the author. We continue our journey through geometric abstraction of a sculptural type, and we pass without a solution of continuity to a clearly Pop painting, a style that the artist uses as a vehicle to introduce a reflection of a social or political nature. In the following exhibition we enter a sort of more or less happy abstract expressionism, intervened photography, urban art and in recent years we can add to this non-closed repertoire the emergence of digital art until the first work based on the blockchain. For the record, I have left in the pipeline a good number of techniques and styles that could happen in the times of everything goes for the good and the bad. Definitely the artist no longer has to unconsciously submit to the dictates of an academy, current or even a passing fad to get on. If you want to do it, it’s up to you. Consequently, today the viewer cannot expect anything or have a preconceived idea about the format of an exhibition.

A few days ago a professional colleague told me about it, that it seems that we live in the time when the Napoleon III style was established (between 1848 and 1870), because it coincided with this romantic French ruler. A temporary space in which the arts seemed to find no location, which resulted in an amalgamation of historical styles even in a single piece, work or building. With all the distances it seems difficult to define where we are. As I said before, in that sense it can be affirmed that the artist or the creator has now truly achieved freedom, getting rid of stylistic impositions every moment, of anything that smells of academia and each one embarks on the path that he sees fit . Consequently, historians are not going to have anything easy to “tell” these first decades of the 21st century if their intention is to categorize and define each time period based on the predominant style.

It is a question that haunts me. Sometimes it is expressed out loud with other people, without obtaining a particularly clear response. It is enormously difficult for me to position myself with respect to contemporary art as a whole and also to define what kind of connection it has with people beyond collectors. In other words, in order to be better understood, I try to value the art that is being made at the moment and I try to venture where it is going. It is not a reflection of a bar counter, but I do not put myself in the shoes of a theorist or intellectual of the question, and much less do I adopt the role of oracle of anyone. Sometimes I debate between thinking if we live immersed in a blessed or, on the contrary, in a damned chaos that must necessarily be reordered “Darwinistly”. Perhaps it may be the excess of information of all kinds that makes us perceive everything as that chaos when in reality it is not, like the study by Francis Bacon that those of us who did not work on it perceived as such. Really, if you ask me what is being done now, I don’t know how to answer. If I were a historian in the New York of the 50s or in the Paris of the first two decades of the century or in interwar Berlin, I think I could define more or less the characteristics of the art that was breaking into those places. But perhaps we are in a time more than art, artists.

ARCO Fair

And so we are: in a time when art is trying to find itself, the news is debated between artists who have left us lately, the penultimate Caravaggio found ?alive?, the first work of digital art sold at ARCO or the surprising result of the test with artificial intelligence that they have applied to a work owned by the National Gallery that was thought with all conviction that it was original by Rubens, and that the machine the “Berenson” of the 21st century has ruled that in a 90% of possibilities the work was not painted by the Antwerp artist. Earthquake.

The disappearance of the genius

In times of dispersion, discontinuity, speed, genius exits from the forum, no matter how much we use this concept in a very personal way. In the best of cases, it is not that these giants do not exist, but that, quite possibly, they live buried by the noise of an informative magma emanating from the screens, which has the man so puzzled and insecure that he is not able to separate the grain of the chaff. It is true that genius is a difficult concept to objectify. The encyclopedic collections of art history that are sold, or rather, were sold in kiosks in the form of fascicles and that now appear in lance bookstores, used to make, more than a use, an abuse, of the term and it was common not without a certain bombast find titles such as “Geniuses of the Impressionist painting” “Geniuses of the Renaissance”. It seems that every age has its geniuses … but what about ours? Are works currently being generated whose importance will be worth traveling hundreds of kilometers? The history of art has been manufactured through ruptures or changes of direction more or less pronounced but, I honestly do not know if we are now in the first case, in the second, or we are still detained trying to figure out where to go.

Throughout the twentieth century, to limit a period, artists and movements that have generated that have had the ability to explain the intricacies of art in a new way: Cubism, Central European Expressionism and the New York school or the abstract expressionism and hence geometric abstraction, pop art, and even postmodernism … Each of these “isms” can be explained according to inherent characteristics. In fact, a room in a museum in which the work of each of these periods is exhibited has plastic characteristics that are easily recognizable and distinguishable from the rest of the rooms, however the spaces that will house the art of our time, although neat and ordered, they will conceptually resemble the study of Francis Bacon, although it is possible that some may discover the order where it seems that there is only chaos.

Francis Bacon Study

.

Many Thanks To The Following Website For This Valuable Content.
Contemporary art seeks its place on hostile terrain

) [summary] => VALENCIA. If we go in search of the art that is being made today, we can go to an exhibition of a figurative artist with traces between impressionism and the academy, and two streets beyond the exhibition, which is not about painting, shows us a conceptual installation that works with the video and with lost ... Read more [atom_content] =>

VALENCIA. If we go in search of the art that is being made today, we can go to an exhibition of a figurative artist with traces between impressionism and the academy, and two streets beyond the exhibition, which is not about painting, shows us a conceptual installation that works with the video and with lost and found more or less intervened by the author. We continue our journey through geometric abstraction of a sculptural type, and we pass without a solution of continuity to a clearly Pop painting, a style that the artist uses as a vehicle to introduce a reflection of a social or political nature. In the following exhibition we enter a sort of more or less happy abstract expressionism, intervened photography, urban art and in recent years we can add to this non-closed repertoire the emergence of digital art until the first work based on the blockchain. For the record, I have left in the pipeline a good number of techniques and styles that could happen in the times of everything goes for the good and the bad. Definitely the artist no longer has to unconsciously submit to the dictates of an academy, current or even a passing fad to get on. If you want to do it, it’s up to you. Consequently, today the viewer cannot expect anything or have a preconceived idea about the format of an exhibition.

A few days ago a professional colleague told me about it, that it seems that we live in the time when the Napoleon III style was established (between 1848 and 1870), because it coincided with this romantic French ruler. A temporary space in which the arts seemed to find no location, which resulted in an amalgamation of historical styles even in a single piece, work or building. With all the distances it seems difficult to define where we are. As I said before, in that sense it can be affirmed that the artist or the creator has now truly achieved freedom, getting rid of stylistic impositions every moment, of anything that smells of academia and each one embarks on the path that he sees fit . Consequently, historians are not going to have anything easy to “tell” these first decades of the 21st century if their intention is to categorize and define each time period based on the predominant style.

It is a question that haunts me. Sometimes it is expressed out loud with other people, without obtaining a particularly clear response. It is enormously difficult for me to position myself with respect to contemporary art as a whole and also to define what kind of connection it has with people beyond collectors. In other words, in order to be better understood, I try to value the art that is being made at the moment and I try to venture where it is going. It is not a reflection of a bar counter, but I do not put myself in the shoes of a theorist or intellectual of the question, and much less do I adopt the role of oracle of anyone. Sometimes I debate between thinking if we live immersed in a blessed or, on the contrary, in a damned chaos that must necessarily be reordered “Darwinistly”. Perhaps it may be the excess of information of all kinds that makes us perceive everything as that chaos when in reality it is not, like the study by Francis Bacon that those of us who did not work on it perceived as such. Really, if you ask me what is being done now, I don’t know how to answer. If I were a historian in the New York of the 50s or in the Paris of the first two decades of the century or in interwar Berlin, I think I could define more or less the characteristics of the art that was breaking into those places. But perhaps we are in a time more than art, artists.

ARCO Fair

And so we are: in a time when art is trying to find itself, the news is debated between artists who have left us lately, the penultimate Caravaggio found ?alive?, the first work of digital art sold at ARCO or the surprising result of the test with artificial intelligence that they have applied to a work owned by the National Gallery that was thought with all conviction that it was original by Rubens, and that the machine the “Berenson” of the 21st century has ruled that in a 90% of possibilities the work was not painted by the Antwerp artist. Earthquake.

The disappearance of the genius

In times of dispersion, discontinuity, speed, genius exits from the forum, no matter how much we use this concept in a very personal way. In the best of cases, it is not that these giants do not exist, but that, quite possibly, they live buried by the noise of an informative magma emanating from the screens, which has the man so puzzled and insecure that he is not able to separate the grain of the chaff. It is true that genius is a difficult concept to objectify. The encyclopedic collections of art history that are sold, or rather, were sold in kiosks in the form of fascicles and that now appear in lance bookstores, used to make, more than a use, an abuse, of the term and it was common not without a certain bombast find titles such as “Geniuses of the Impressionist painting” “Geniuses of the Renaissance”. It seems that every age has its geniuses … but what about ours? Are works currently being generated whose importance will be worth traveling hundreds of kilometers? The history of art has been manufactured through ruptures or changes of direction more or less pronounced but, I honestly do not know if we are now in the first case, in the second, or we are still detained trying to figure out where to go.

Throughout the twentieth century, to limit a period, artists and movements that have generated that have had the ability to explain the intricacies of art in a new way: Cubism, Central European Expressionism and the New York school or the abstract expressionism and hence geometric abstraction, pop art, and even postmodernism … Each of these “isms” can be explained according to inherent characteristics. In fact, a room in a museum in which the work of each of these periods is exhibited has plastic characteristics that are easily recognizable and distinguishable from the rest of the rooms, however the spaces that will house the art of our time, although neat and ordered, they will conceptually resemble the study of Francis Bacon, although it is possible that some may discover the order where it seems that there is only chaos.

Francis Bacon Study

.

Many Thanks To The Following Website For This Valuable Content.
Contemporary art seeks its place on hostile terrain

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